timburns

I've a couple of instructional pdf's on this transfer technique at my site on the contact

and resources page at bottom of page.

Lovely photography, excellent work for animals. *Salute*

I like it. Wasn't Robert Heinecken who first started deconstruction porn imagery? At any rate this is a worth successor, IMHO.

I know this area - very nice shot, like how the bridge is framed with the branch. Bottom right corner is fairly busy - losing some of the right frame seems to help keep one's eye in the shot.

Two beautiful shots! On the borders - not a western style, but eastern - much in line with silk screen painted panels etc. Westerners don't see enough art from the orient. Beautiful work on all counts.

This is very good Glenn - comp, lighting, and pulling off some decent skin with HDRI [something I gave up on fer'shure], but I'm seeing this every where but not over on P-G, did you give up there?

 

Again, very fine image.

Indeed, excellent work. I was thru here in March, but it rained so hard could barely see the shoulder of highway; now I know what i missed!

LOL I love your sense of humor - all three in this series just rock; while I could quibble about composition of the elements to the frame in these I don't care - so much to see! And not one boring nude anywhere!

Composition: think about how your subject is organized in the frame. Does she fit the frame well? Is there anything that doesn't belong in the shot, like the grey object on frame right. Would tighter on the face work better? Looser, but with cleaning out the background too?

 

Would seeing her elbow better complete the bottom, also the rest of her legs? I think I'd op for the tighter on the face shot, looking at the lens perhaps.

 

Exposure is a little hot on her face, if on-camera flash try placing some tissue over it to soften the light, and also try a darker exposure- generally a good idea to take several different exposures to give some choice.

 

Good start; one additional thing, ignore the rattings, without feedback there just grades from the unknown.

Woderful light and situation

Beautiful work, not the least because of such an active scene. Are you using stitcher unlimited and photomatix pro for these? I've a d80 that I use with the 10.5mm lens - that certainly helps keep the number of shots down.

 

Brilliant work there.

Beautiful use of HDR imagery; usually i find that skin looks terrible, but this totally works.

As I've been recently educating myself on this genre [tho haven't tried any yet] I'm impressed by the work here! Beautifully done.

Heavy texture and allegory - both things I love, for their own sake but also because when used well, as here, they invite deeper viewing of the image.

 

After reading thru the above comments I'd like to say: how one signs an image for internet display rarely has anything to do with how one signs the print for the gallery or buyer - here protection is everything.

 

The use of titles, when done with thought by the artist, provides the viewer with a key [or clue] to how the artist was thinking about the work at that time, interpreting the work. The addition of the crow/raven certainly put death into my mind instantly, for me the title clarifies the sort of death.

 

Brilliant work; the deeper we dig into ourselves the more significant the basis for our work - bravo for that.

Beautiful image - spot on!

Hey Glenn - it all works for me! Texture of the building and colours is especially good, and gotta love that sky. Take care.

A tighter crop, left, top and right, as the power lines and the brick structure detract from the figure - also I'd try and get some detail in the dress. If this is a RAW file that'd be doable I think. Pretty face and nicely posed.

Do you mean an etching press when you say "...a fine printing machine"?

 

I've used perhaps a similar techinque on b&w laser prints and Oil of Wintergreen as the transfer medium - tho the oil is applied to the recipient material - in my case usually linoleum then engraved for printing. Hope that makes sense LOL.

 

At anyrate, one beautiful image and realization.

I like this for the composition and the concept.

Well, I logged in just to comment on this image, as I love it. I take it this comes under the genre of 'light painting'? Move a light source in from of a lens with long exposure?

 

Very cool.

Nice shot - looks like you were fairly close to it; interestingly here in the midwest US a polecat is a skunk.

Beautiful exposure, colours and placement of objects - I feel however that the crop is to tight. The circle of the compas, the circle made by the button -pin? - on frame right and the circle of the screw at the top should all be just barely included - to me that'd be perfect. Excellent concept on this one.

Superb spot and technique - excellent.

Great. Beautifully done and fun.

Love the mood and the work overall; well done.