matt_mccarthy3

Hello,

 

This is something new for me - I've been approached by a publishing company that might be interested in publishing my work in some

books. The subject matter is classic cars. I've had my work for sale through a publisher in the form of open edition prints, but books are

new to me. I have no idea what a fair going rate is - one time rights, BTW. This may not even go through, of course - they might change

their minds, look elsewhere ( that's the publishing world, after all ), etc. But having an idea of what to charge would help if it goes through.

Can anyone offer some advice here?

<p>I'm trying to find a list of photo book publishers - those that specialize with photography, not general publishers that happen to do photo books. The Photographer's Market has only a few of these listed; and almost none of them work for my subject specialty - vintage automobiles. I'm looking for a few more. I know about the self-publishing route, but I have neither the cash nor the marketing savvy to go that route. Every time I try the internet on this, it's just one link to another that does not specifically target what I'm looking for. Does anyone have any suggestions to help me out here?<br>

Thanks!<br>

Matt</p>

<p> I've been thinking about using the social networking sites as a way to promote my work - does anyone have any experience in doing this? And has it worked for you. I'm looking to aim my work specifically at automotive enthusiasts. I don't have a clue as to how these things work - I could rightfully be called an "old fart" regarding this stuff. <br>

</p>

<p> I'm looking to do a one-off - a concept that maybe I could sell a publisher on. I don't have the wallet to print, store, and sell a bunch of calendars myself ( at least not now....crossing fingers......)</p>

<p> I'm looking for a publisher who will print up a calendar concept - but I do NOT want ready-made templates; I want to do the design work myself using Photoshop. Are there any companies that provide such a service?</p>

<p>Well, I meant to say Sigma - it's been so long since I used it, I forgot the brand name! Then I dug it out. I put it away because I wasn't using it, knew the motor was bad, and never got around to doing anything with it.<br>

BTW, Sigma wouldn't give me a straight answer about cost estimate. They need to see the lens first. I really don't want to spend extra for shipping for a lens I no longer want or need.</p>

<p>I asked this on the "repair" forum, but it doesn't seem to exist......</p>

<p> I've got a Sigma 135-400 APO lens for EOS that I'm no longer using; my work doesn't involve my needing it anymore. So, I'm looking to sell it off. But the AF motor is kaput. It focuses manually just fine, and except for a few cosmetic blemishes, it's in fine shape. Does anyone know what the cost to repair a busted AF motor in this lens costs, so I know what to charge for it?</p>

Thanks for the responses. I've seen numerous products with automotive items, some marked as "officially licensed," and

others not, without mention of "Chevrolet is a trademark of General Motors," and so on. It is also my intention to provide a

part of the sales to a charity that is devoted to the preservation of classic cars and the history of the automobile, and I

figured that would only be a good thing.

Hello all -

 

Been a while since I last posted. I did ask this once before, but I've completely forgotten what the responses were - life is what

happens when you've made other plans.....

Anyway, here's the question. I've got a series of images of classic cars, mainly US marques, and I'm looking to sell them online. Many

of the images are B&W, some with spot color treatments that highlight the manufacturer name or model ( like a highlight where it may say

BelAir - the old Chevrolet name ). I'm just trying to clear it up if I can sell this work without copyright issues, as long as the work falls into

a fine art category - I'm aware that fine art work can use what would be considered trademarked logos or names in some circumstances.

Would I be OK to sell such work without the trademark issues here?<div></div>

I asked this question in a forum that doesn't seem to be posted - "photo presentations." So, I'm trying

again in casual conversations.

I need to find a company that prints short run photo books - like the kinds that are available through

snapfish, shutterfly, etc - but I need a large square format ( 11" x 11" or larger ). The only one I've seen

that has that is shutterfly, but I'm looking for other options ( don't want to depend completely on one

source , especially if I need mass quantities ). Does anyone know of other companies that offer the larger

square format?

"non-exclusive" does mean that you have some control over the rights. I'm not a lawyer

either, though, so this does come with some salt. The question is what you can do with the

images - I do not know if you'd still have the right to sell the pix. You may be able to

display or use them for self promotion, or sell them - that usually rests with the sponsoring

body. Check with them first.

I thought that was the case. Except for the time I got on the Kennedy, they were pretty

useless ( that was in 1990 ). I let the "membership" expire.

There's an outfit called IFPO - International Freelance Photographers Organization. They

started up sometime back in the late 80's as I recall - I was briefly a member. They issued

press passes for their own publication ( for a fee, of course ). This was well before the days

of major league paranoia that we live in now, though, so I'm not certain if a credential from

them will get you anywhere anymore. I only got to use the credentials once - getting aboard

the USS Kennedy and getting my own CPO as an escort around the ship. I don't know if a

pass from IFPO carries any weight anymore, though. It wouldn't hurt to at least check them

out on the web.

Could take Amtrak....you can also get away from the screaming baby and head for the lounge

car when you're stuck sitting somewhere, and can't get out.

Don't confine yourself to looking only at photography for inspiration. Take some time to

view other artistic disciplines. Painting, sculpture, design, drawing, motion pictures - these

can all add to your development of vision. It probably won't be an overt thing, and you

probably won't get an "AHA!" moment by looking at a Picasso or a product designed by

Raymond Loewy, but exposure to other worlds is a good way to develop your own vision.

Try mounting the camera to a background support system. You should be able to attach

the camera to a Bogen Super Clamp ( be sure to use one that comes with a mounting

stud ). Then attach the clamp to the crossbeam, with the camera aimed downward. You

might need to attach the camera to a tripod head first, then to the Super Clamp. Raise the

backgound poles as high as they can go. You'll need to trigger the camera remotely, and

it will take some trial and error to position the camera where it needs to go, and you'll

need to eyeball the levelness of your camera, but this might help you. Depending upon

how much celing you have, you may need to use a wider lens - perhaps something around

12MM.

 

As for distortion, that can be corrected using Photoshop.

 

Hope this helps!

I was there last year after a five year absence ( moved away from NY ). Most of the

image capture end is indeed, digital. Hasselblad did have a presence, but their showroom

was off limits to general visitors. Canon and Leica were showing some film cameras - I

didn't see any P/S film stuff. Large format had a presence there. Mamiya was showing

some MF, but they're pushing the ZD digital system now. The saddest thing I saw is what

happened to Kodak - they used to have a gigantic booth right at the front entrance - what

they had last year was a small unit along the edge of one of the back walls. They went

from a mansion to a pup tent. They were showing off some films.

PhotoPlus is better now for everything else - backdrops, albums, lighting, support

items, software, printers, etc - there was very little there geared for film shooters. Like

any other industry showcase, it is market-driven, and the market just isn't doing much

with film.

If one or two of the seminars interest you, though, take it - it's well worth doing. You

also get early admission to the show floor to see the booths, ask questions, and so on.

Unfortunately, you're unlikely to find any place in Florida that rents gear at all outside of

Miami. I think that Desktop Darkroom in Jacksonville has rental gear, but nothing on the

Sigma line. If you're really wanting this lens, you may need to buy it, and then sell it to

recoup some of your costs.

Outside of Miami, you won't find much in the way of professional photography that isn't

wedding/events, hence the nearly non-existent rental services. I don't know of any rental

places in Orlando at all.

Sorry 'bout that - one downside of Florida.

Most likely a 12, Ellis - five bladed prop, and the humps of a Griffon engine.

My former girlfriend became a Suicide Girl - and I had a very good experience inedeed..;-)

I used to have a pair of 139's. Both of them needed repairs to the shutter after a few years

of use - if you're in NY, you might try Ken Hansen photographic. I also had the Winder II's -

sounds like you've got one as well. I didn't have that particular problem, though.

I was in NYC back in April - and I was surprised to see that Olden is still around. Didn't

stop in, though, as I was on my way to meet someone, and I was already late. I remember

when it was a multi-story enterprise, filled with stuff - I think it's down to one floor now.

Very sad indeed. I suspect if I went in, I would have been depressed by the experience.

I'll have to echo the information in the previous posts - and add that when I went there

back in '99 I had a camera ( Rebel G ) in a bag, with two lenses, a lot of film, and no

problems. Just always be aware of where you are. I was in Manila and Baguio, with a trip

to Boracay ( to which I hope to return and NEVER come back ). I would often wander about

on my own with my gear - never felt threatened at all. The only time I felt my life in peril

was the bus ride through the mountains to Baguio.

 

Being half-Filipino may help you "blend in" - looking less like a tourist. Having the

company of your relatives will probably help as well. As far as I know, Mindinao is still

fairly dangerous, so it is better to stay away from there - a shame, as I've told that is

where one will find some really good representation of indingenous Philippine culture.

 

Don't worry about the kids - they're a lot of fun to be around - and yes, they wanted me

to photograph them. If you can fit it in, maybe bring a Polaroid so you can give them

something. Not sure if Polaroid film can be found in the Philippines - maybe in Manila.

The heartbreaking thing is the poverty though - it's very difficult to keep yourself from

being generous to those who are truly needy.

 

As far as appearance - I'd say keep it conservative - don't draw attention to yourself.

 

Covering the logos might have an opposite effect - "hmmm - what's she hiding?" A bag

without a logo might be better. Also, a generic non-banded camera strap. Carry the bag

with the strap on your opposite shoulder. I wandered about with the camera itself around

my neck, but the camera always in my hands. Again, it's about awareness. I am originally

from New York, so I'm experienced with what I refer to as "paranoia awareness training."

 

Enjoy the trip - the Philippines got under my skin, into my soul, and has never left me.

 

Buwenas!

It ends when you walk through the pearly gates....oh wait, then you learn a whole bunch of

NEW things....

I guess the answer is NEVER!

Well, Annie Lebovitz does outrank the queen in terms of sheer nerve and massive ego........