beamoflight
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Image Comments posted by beamoflight
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Comments welcome
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Thanks Pierre, I appreciate you taking the time to comment on my pictures... interesting portfolio you have by the way
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Unfortunately, the Rijksmuseum is on an unbelievable 8 year or soreconstruction and restoration program, meaning only a small part ofthe building can be visited. With large groups of visitors stillattending it to see world famous pictures like Rembrandt's"Nightwatch", this poses some major difficulties...
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The WWII monument on the Dam square in the hart of Amsterdam
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This picture is partially the result of an accident. I originallyshot it, thinking I had a B&W 400TMX negative in my holder. I thandeveloped it accordingly only to discover it was Ektachrome 100G slidefilm... I subsequently bleached the image and redeveloped it in B&Wpaper developer to get more contrast and see if I could print it. Thiswas the outcome.
Actually, it's not far of of what I intended it to be on B&Wnegative film...
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"Effect" may not be the right word for this, it reminds me to much of Photoshop. This is all handwork. I used a brush inside a cut matting board to develop this picture, leaving these residual marks on the edges.
And the strange perspective is due to the pinhole, no PS trick.
I think your remark holds trueth, but is applicable to ALL pictures and images. Most are from "dull" and uninteresting subjects - at first sight... It's the photographer's challenge to make it interesting, sometime you succeed, sometimes you don't...
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Dank je, de "bewerking" (misschien niet het goede woord, ik denk dan meteen aan PS, terwijl dit toch echt handwerk is) is verkregen door het fotopapier met een kwast te ontwikkelen. Vandaar de belletjes en onregelmatigheden.
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Ruins of castle Nijenbeek on the embankments of the river Ijssel in the Netherlands.
Homepage: Beamof Light -
Another picture from my Ijssel series. These have been taken with a super wide angle pinhole camera on 4x5 large format film.
Homepage: Beamof Light -
It's been quite a while since I was last active on Photo.NET. Been active on APUG, as one of the last strongholds of analog photography. Anyway, enough about that... I intend to show some new work, as I have had a lot of fun with my new pinhole camera lately.
Homepage: Beamof Light -
The picture reminded me of something ;-)
Actually, this is the abrasive sandblasting unit of Nedtrain services in the Netherlands... You don't want to be in here when this unit is in operation and a whole train carriage is being blasted...
Homepage: Beamof Light -
This photo has been printed on handcoated paper using liquid photoemulsion. What a joy to use this stuff...
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My first attempt on doing something really creative and unpredictable
in the darkroom... I am quite satisfied with the effect, but what do
you think?
Homepage: Beam
of Light
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Hi Martin,
I find it very courageous of you to share such personal pictures with all of us...
Your wide angle usages in this series of pictures is a good choice, and the pictures are beginning to tell the story. From a more "photographic-documentary" point of view, and to enhance the series and story telling, you might also consider trying to add some "social" pictures, interaction with your family and so... and maybe some medical personal. But maybe I'm going completely past the objectives of your posted pictures...
Anyway, wish you a good recovery!!
Marco
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"Enter"
Photo taken in a kiln in former brickyard "Blauwe Kamer", theNetherlands.
Comments welcome...
Homepage: Beamof Light -
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Lovely pic and beautiful light and composition. It stands out among the child pictures.
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Beautifull B&W tones and composition. What's the boy covered with...? Is this part of some initiation ritual or feast?...
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Maybe crop a bit to take out the non vertical line on the left and leave a uniform background? Or create even more space by adding a bit more "wall" on the left? Indeed a very "vulnerable" look.
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Hi Julien,
Well, it's your unique eye and feel for perspective boiling up again... ;-) However, I do have a bit of a problem with this image. Instead of having the focus on the distracting background, I would rather have seen it on the hand in the upper right corner. That would make a completely different picture, but possibly stronger and more focused on the story you are trying to tell to us. The hand is now even so blurred, it's hardly recognizable as such... anyway, just my 2 cents worth, just wait what others say... ;-)
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Vondelpark
in Fine Art
Posted