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andrzej_poniatowski

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Posts posted by andrzej_poniatowski

  1. Nigel, you say yourself that you ARE a newcomer. Then, you are surely

    going to change camera bodies and lenses several times (loosing a lot

    of money) until you find something that works for you. How many

    bodies and lenses do YOU think a manufacturer should have in his

    range of products? I bet there4ll always be somebody who misses

    something! Pros (we are talking 35mm) use higher end Nikons and

    Canons - no competition here! For all the rest of us, all the

    manufacturers (Pentax, Minolta, Contax, Nikon, Canon - you name it)

    have ENOUGH in their range to satisfy ANY user. There are some

    ergonomic differencies but basically - you4ll get the same quality

    for the same amount of money you invest! Just choose ANYTHING that

    feels good in your hands and makes you feel comfortable and THIS is

    your equipment!

    Pentax is apparently NOT big in the USA (it IS big in Europe though)

    so stop thinking about it. You CANNOT go wrong with either Nikon or

    Canon - although there4s always something "missing", that your gear

    doesn4t have. This is a compromise that you have to accept! I would

    say that this compromise is "smallest" with Nikon gear (compatibility

    and future expansion). So - go for a Nikon (advise from a Pentax

    user!).

  2. "Pentax going down hill, lacking in lenses, bodies .." - what are you

    raving about? I can assure you that Pentax never felt better.

    "Limited number of lenses.." - nonsense! What about FA* 24/2, FA

    43/1.9 Limited, FA* 85/1.8, FA* zooms and tele lenses? - they are

    about the best lenses in the business. Sure, you can buy Nikon,

    Canon, Minolta or anything else that suits YOU but stop writing

    idiotic statements and don4t insult Pentax users4intelligence!

  3. I love Sigma EX lenses (also have 28-70/2.8 and 105/2.8 Macro) but

    this model is NOT their best "effort". I shot 10 rolls of Reala with

    this lens (on my Pentax MZ-3 body) on my recent trip to Israel. The

    lens is O.K. but not GREAT as the other two. It performs best in the

    20-24mm region with reasonably good sharpness and contrast.

    Distortion in the corners is VERY bad but perhaps ALL zooms with this

    range have it? I would say that FLARE is the second big problem but

    then again, perhaps all the "others" are the same! It is difficult to

    judge the len4s performance without comparing it to something else.

    Mechanically and electrically I had NO problem with Sigma!

    Still, I have NOT fallen in love with this lens and bought instead a

    Pentax FA* 24/2 AL(IF) - now THIS is some lens! But that4s another

    story.

  4. I have been using a Sigma 105/2.8 EX Macro for several months now

    (together with a Pentax MZ-3 body).

    I think the lens is one of the better (optically) lenses I have ever

    used ( perhaps slightly soft on 2.8 and 4; super sharp and contrasty

    when stopped down; superb macro performance, nice "feel" on manual

    focusing) - seems to be well-made also! Very much recommended - for

    the price it is a steal!

  5. My friend has an old Practica camera with a "normal" prime 50 lens

    which deliver very nice (and reasonably sharp) looking snap-shots

    (the contrast and colour "balance" are truly outstanding).

    For what it4s worth (the purists will crusify me) I have shot several

    rolls of Reala (developed and printed by the same, quality, lab) on

    both Leica M6 (with 35/2 Summicron lens) and Konica Hexar (black),

    trying to shoot the same motive, at the same angle, almost at the

    same time (within reason), handheld and on tripod. Both myself and

    the owner of M6 have agreed that there was NO significant difference

    in delivered quality (all shots taken at Manual Mode on both cameras)

    as far as sharpness and contrast were concerned. There were some

    slight differencies in colour rendition - perhaps due to small light

    changes. We are talking ordinary 4 x 6 prints here! Perhaps ONLY when

    enlarged, Leica M6 images would justify its ridiculous price. On the

    other hand, Patek Philippe and Rolex still exist!

  6. Ron,

    I know that top quality equipment does not automatically create a top

    photographer; I know that some people can achieve wonders with a

    Konica Pop - but only SOME. I totally disagree with the common

    attitude - I am a beginner and looking for a simple camera to learn.

    Many will be put off by what they achieve and turn to something else

    - they think it is their fault that the photographs are out of focus

    and under/overexposed, etc.. Give these people the right stuff from

    the start!

    The original question was if EOS3 would improve his photography - the

    answer MUST be YES (depending on his past experience and the quality

    of equipment he had been using). With the modern gear of today and

    some brains you can, at least, come up with good looking images and

    be a hero among your friends and family.

  7. I DO think that better equipment improves your photography. IB4ve been

    a pro sound engineer for some 25 years and found out that top

    results, in most cases, can only be achieved with top quality gear.

    All these myths about John Shaw being able to shoot with a Russian

    Leica and a Korean lens and DELIVER is rubish!

    Go for the best (though usually grossly overpriced) and be stimulated

    and inspired; THEN youB4ll know that if the results are no good IT IS

    you and your technique. It does not matter if it is Canon, Nikon or

    whatever; who can afford building bad quality for top dollar? Over a

    certain price level EVERYTHING is good, let the ergonomics and

    appearance decide.

    EOS3 SHALL improve your photography!

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