jd_rose
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Posts posted by jd_rose
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I have never seen this magazine before; I picked one up and lo-and-behold it
seems to be about old fashioned B&W photography. Very Cool. I purchased
the "2007 Single Images Contest Award" issue.
I must say I am impressed with anyone who puts this kind of effort into
supporting B&W..kudos to management, editors, etc. However, I was a little less
impressed with content.
Obviously superb prints, but the content seemed boring, typical, and
unoriginal. Dancing Horse on P. 43, Foggy down p. 53, Marshall Woods p. 61,
Movement p. 72, Nude Expression p. 81, Vertigo p. 114, River flow p. 142, and
on....
I have been into photography long enough to be quite tired of the classic
trees in fog landscape, the blurred nude as art, and close-ups of running
water. The ultimate cliches. I suspect the prints are dazzling.
I have to pick up a regular issue B&W next time I am there and see what it
is all about. I was tapped after I bought this issue. I suspect this is a
pretty nifty magazine. What are your thoughts?
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Shows you what I know!
Thanks for the responses and clarification!
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Luis,
"Four" is a classic, ala HC Bresson; a compliment. Perhaps one of my new favorites.
Thank you for sharing such an awesome image.
--- JD Rose
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Interesting thought, Mr. Knight,
The snake exhibited no lethargy, and it also had a fineness to it's scale that did not indicate shedding. This was a large, mature snake, 1.3 meters or so, probably done growing, or at least slowing.
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It is so hard to replicate the amazing detail and tonality of a 8x10 camera coupled with that extremely shallow depth of field even at F/22.
Maybe "Photoshop" could do it?
Find a garage with roof sun-lights, a 8x10 view camera, expose something Ilford, a gorgeous petite french model, and learn how to print palladiums.
You will then be there.
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Mr. Hooker,
That is some of the best advice I have ever come across. You are extraordinarily generous to share it with us. I thank thee!
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I think the picture is more honest without the polarizer.
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Thanks.
It is at 4300' elevation, Church Wells, Utah, August 12, Sunday, I think about 9 am., Nikon D50, (P)rogram, (A) or (*) WB I think. Yes, rattles, I could hear them. Unfortunately, I did not get a good, clear shot of the tail and rattle.
I know, far east of typical Mohave country, however, we are now getting 110 degree days, less than a decade ago 104 was hot here. And Greens have been spotted here before, recently. Even quail are showing up here. First time ever.<div></div>
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Good point. The monsoon is going full bloom here. Nice, cool afternoons; almost cold evenings. Snakes can neither warm or cool themselves biologically like we can, they definitely avoid a blazing sun. The clouds have made all the critters active during the day at my homestead.
Here is a picture of a monsoon storm that moved through tonight...
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This fellow was hanging out in the rocks that I have on the north corner last
Sunday morning...The yard is overrun with chipmunks and the coop has some
chicks. I am sure it was looking into that. Can't blame it, I like chickens too.
Usually, these rattlesnakes hole-up or crawl away, this one actually moved
toward me. Not sure why. We chatted for a bit and then he realized I was much
too big to eat. Move along. What a gorgeous animal.
I have shared this picture with a few friends trying to get a ID, no one is
really sure. This snake was light olive green in color not the brown, pink, or
golden that I normally run into. (Note: the creature was in the shade of the
early morning...the blue cast really does not help.)
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Jesus turned water into alcohol.
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That picture is full of digital artifacts I am afraid. I think any thing horizontal is an artifact. The diagonal one has the classic hallmarks of a meteor, but I could be wrong; it was very late and I was excited to see anything in the image!
I am going to try again tonight.
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The sky is huge. My eyes were seeing one about every 10 minutes but the camera
was missing all of them, or so I thought.
I was reviewing the SD card and accidently viewed a NEF instead of a .JPEG. I
saw a hint of a streak. I massaged, cropped, and upped the gamma enough to
reveal the streak of a meteor. Perhaps tomorrow they will be more often and
more spectacular.
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Ah, OK, so far I have been in very dim tungsten lighting in my studio. I will keep the window closed. Hope for the best.
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Hello,
I purchased a lot of 1890s to 1900s 5x7 glass negatives with the intent of
producing Cyanotypes, palladiums, and Kallitypes from these old, fantastic
images.
I am surprised by how many images are tack sharp in the center and become
increasingly out-of-focus at the edges. Not a real problem, the subject tends
to be in the center and I can print masked ovals & 4x6 vignettes; they seem to
be popular enough.
What caused this, really cheap glass...the size of the format?
--- JDR
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Hello,
I wanted to try out a Zeiss Ikon 6x9 folder that fortune has allowed me to
have. I absent mindedly grabbed some old Konica 400 and loaded it,
unfortunately it is 220. No numbers or markers have come up in the red window.
I am sure I have wound and wound to some active film...how many turns from
there, frame to frame? Thanks.
--- JDR
Postscripture: I think this folder is put together pretty well. Nice snap when
you open the folder, gorgeous pit free chrome, and very smooth advance. I hope
the pictures are as good as the build. I have a feeling this was an expensive
camera in it's day.
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Just discovered "B&W" at Bookmans, what do you think?
in Casual Photo Conversations
Posted
Zoe,
You are quite right, I do not get to a book store very often. I live two hours away from the nearest town that does have one. It is always a real treat for me when I get to visit a bookstore.
I had never seen "B&W" on a newstand anywhere before...they just happened to have 2 used copies, I bought the special issue.
Traditional black and white photography is old fashioned. It was invented in the 1800s and when was the last time you saw a mainstream magazine have a really good article about it...
...but that is why I like! Have you ever seen an 11x14 negative properly developed and properly contact printed with your own eyes? Even a little 5x7 platinum can bring a tear to the eye. It is sublime.
I've always liked traditional black and white; I am kind of a contrarian, now I love it precisely because it is no longer mainstream and it is still a hand craft.
Mr. Denton, Mr. Pool, I will check out the other magazines that you suggested. Thanks!