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joshwand

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Posts posted by joshwand

  1. Flyers at photo labs & rental houses, and just plain cold calls. Go to workbook.com, do a search for photographers in your area who work in the genres you're interested in, and give them a call. If you've got the resources, direct mail works really well, too.
  2. Sometimes I think photo.net should be configured to automatically respond to any question with the word "architecture" or "interiors" with a link to the Norm McGrath book.

     

    Or, more realistically, we might see if we could add a few "sticky," or permanent links at the top of the page for this forum with frequently asked questions and links, like the "how can I be a pro (and generate pro-quality work) without spending years studying and practicing and without a business plan or proper equipment and without spending more than $500" one that appears quite often.

     

    *sigh*

  3. Though I may be wrong, I think what you're referring to as "D" flashes are actually "D" for "distance"-- D lenses (for Nikon, at least) transmit distance information to the flash via the camera body, and since flash exposure is determined by distance and f-stop, the focusing distance is used to calculate the correct flash exposure.
  4. I used PSPrint.com for my last self-promo run. They do runs as low as 250 cards, and they'll mail them for you, too (min. 1000 for that, though).

     

    The cardstock isn't super-heavy, but for a budget run it's perfectly useful.

     

    I've also used postcardpress.com; their minimum is 500. Also relatively inexpensive (vs. modernpostcard and other sources).

  5. This is what assistants are for! When I did weddings as an assistant, I'd be off to the side of the hall at about a 45 degree angle from the photographer, with an extra flash (we used lumedyne, anything with a decent amount of power and a sync socket would work) atop a monopod. His camera-position flash would light the main subject, and I would aim to light the area behind the main subject with the 2nd flash. Sync was accomplished with radio slaves. This is a pretty standard technique; I've seen it used a LOT. Takes a bit of practice and coordination to get your exposures right (he just guessed distance and set f-stop; I would guess distance and set 50/100/200 w/s depending) and to make sure you don't get your assistant's flash head in the picture.

     

    We also occasionally set up stands with shoot through brollies and a few speedotron heads aimed at the cieling, again synced with radio slaves.

     

    The one thing to be sure of is to not use optical slaves, or else your secondary flash is gonna go off every time a guest uses a disposable, and it might not recycle in time for your shot!

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