allyn_saroyan
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Everything posted by allyn_saroyan
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In Photoshop, I cropped the image from the left, removed the car, darkened the moat and its wall, increased the saturation in the grass, trees, and grape vines(?), darkened and added clarity to the castle, and added contrast to the clouds.
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I ran Topaz Photo AI to correct motion blur. In Photoshop, I ran TK8's Smart Orton, and applied Field Blur to the buildings behind the front building.
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Photoshop: Sky darkened; Dark ground darkened, Light ground brightened; Trees given a saturation boost.
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Photoshop: Darkened grass and highlights at top of boot; Replaced highlights on the boot; Boosted frog saturation and contrast; Darkened frog highlights.
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Photoshop: Cropped; Removed distractions; Boosted contrast; Darkened highlights.
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Photoshop: Removed background distractions, added extra titles, removed reflections, and brightened clock-man.
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Photoshop: Removed power pole and lines; Removed one person; filled in trees; Brighten colors and luminosity; Slight crop.
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Photoshop: Isolated the orca on a new background, added a drop shadow, applied an S-curve to the orca, moved and enhanced the sign.
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Photoshop: Crop, darken highlights, raise shadows, darken lower left, S-curve on hills, saturation on hills; ON1: Big Softy vignette, dynamic contrast.
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Photoshop: Crop left side, straighten buildings, darken right building, darken street, dehire, enhance red leaves, brighten greens, increase tower saturation; ON1: dynamic contrast and big softy vignette.
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Photoshop: Crop; ACR Filter (dehaze); Add clouds; S-Curve on near mountains; Green boost via curves; Topaz DeNoise AI; Blur mountain-sky boundary.
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In Photoshop, I used Field Blur on the background, dropped the background exposure, dropped the background saturation, used Adobe Camera Raw as a filter to add texture and clarity to the frog, and back in Photoshop, blurred the edges of the frog.
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I cropped the image slightly; boosted the exposure via curves; enhanced the pond color via Hue & Saturation; Added an S-curve for contrast; and boosted the water spout via curves.
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Photoshop: Removed rope and stand; Cropped image; Brightened wall display and barrels; Darkened figure face and hands; Darkened window; added an over-all S-curve.
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In Photoshop, I replaced the background, added contrast and exposure to the dog, and enhanced its eyes. In Luminar, I added AI Accent, AI Structure, and a vignette.
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Photoshop: Converted the background to B&W; Reduced the background exposure; Boosted the fire engine exposure; Field Blurred the background; Boosted the tire exposure; Boosted the overall exposure.
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Photoshop: Removed pole, scaffolding, power lines, and cropped. Luminar: AI Accent, AI Sky Enhancer, Foliage Enhancer (arch and cactus). On1: Dynamic contrast and Big Softy vignette.
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Using your middle frame, I tried separate color corrections for the bedroom, backroom, and skylight, assuming the walls were white. I also dropped the saturation of the magenta universally and cyans in spots. The result, while not the greatest, at least shows what the method might do. The Photoshop layers I used is also attached.
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I used this image as a test for Luminar 4: I set AI Accent and AI Sky enhancer to 50; Landscape Enhancer to Golden Hour 50 masked to the field and water. In Photoshop, to remove the magenta cast in the sky, I converted the sky to B&W and then added a light blue layer in Color mode. Finally I removed the spots in the sky.
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George, I own a P800 can can address one of your problems: Art Paper loading. I found this method on the Web some time ago but could not find it again today. Once the front loading tray is in position for loading paper, load the paper FROM THE BACK! Align it to the front of the tray according to the instructions. I use Epson Legacy Etching paper and have had no problems loading that paper since I switched to this method. Allyn
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In Photoshop, I replaced the windows with sky and cropped out the ceiling; filled in the left and right corners; added an S-Curve to boost contrast; reduced noise via Topaz DeNoise AI; filled in the center sections.
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Cropped, Blurred background, and Removed distractions.
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Photoshop: Adaptive Wide Angle to correct distortion; Crop; Remove people, Patch sphere bright spot; Brighten sky; Adjust roof saturation. On1: Dynamic Contrast; Big Softy Vignette.
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In Photoshop I added contrast and exposure to the moon, added exposure to the land, and added a blue tone. In Topaz Studio, I used AI Clear (noise reduction and sharpening).
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In Photoshop, I cropped the image, removed the part of a post that remained, enhanced the sky and foliage saturation, dropped the sky intensity and added an S-curve to boost the contrast in the sky. In On1 Photo Raw, I enhanced the fall colors, added dynamic contrast, and added a subtle vignette.
