eugen_mezei

I wonder what instruction that is. Never heard about distilled water being forbidden for developer.

Ron, do you know what adapter the 725/1 is?

You will have to show us the edge markings.

I tried to maximise the compensating effect to get non-burned highlights. So I did D23 1+3. Showed some result but not enough. So I did more or less stand development. No improvement. So the trick is in agitation? That is contraintuitive. What is the explanation?

I would like to see that apparatus.

Regarding 3): Is that fabric or a string? I just developed a test film from my Vitessa T and it has light leak.

Can I use ascorbic acid instead of the ascorbate? I can get L-Ascorbic Acid fairly easy, it is sold pure in the drugstore.

Put an R1 bayonet lenshood on to it and most of the contrast problem is solved. If those are scratches, best is to fill them up with black paint.

Beg to differ. I doubt it would show in the pictures.

Wasn't there something with the cut in the darkslide of the casette? The ones for Pro don't have it but I dont remember what the effect was to cut them.

What is wrong in talking about a the same lens in a topic started some years earlier? Would be nice if the thread would not have been fucked up by the genius move of reorganising photo.net.

Yepp, blame it to Putin. He is at fault for anything, why not for this too?

The problem is, that you dont have to imagine that, we are already in that situation. It becomes infuriating, when these measures are based not on facts (scientific, statistical, whatever) but on populism. Populism: lead = bad. Reality: lead in glass = you dont lick it like an ice cone and even if, it will still be no harm to anybody or anything.

In my lifteime I survived at least 5 catastrophes the enviromentalists promised we all would die from. In the 80s acid rain dissolved me. It also killed the forests, I have to go out tomorrow and look for a tree.. wait, I see hundreds of thousands of acres of forest. Also I survived at least 3 big crisis of "in 10 years we will not have anymore of it". Hmm... I see we still have plenty of raw materials. Please name one demonstrably objective parameter where. Colors (show me the colors of Astia), ease of use, direct access with your own senses.

That is a subject I would like to know more. Would you elaborate? I remember you could in some places (in western Europe) buy film with processing included and without. 90s-ealry2000s. And it was not only Kodak but also Fuji and Agfa.