joel_p
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Posts posted by joel_p
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Hi all,
I am a satisfied owner of the 5DIV and lots of canon glass. I still have a few lenses on my wish list however (the 85 1.4, 100-400 f4 and 11-24mm). I have been seeing some good deals lately on some of these. My question is - with Canon's emphasis on their mirrorless line, am I making a mistake to continue to invest in EF glass? Whilst I am likely to be perfectly happy with my current equipment for a number of years, but I don't want to be stuck holding 10K+ worth of EF glass which will decline steadily in value (and/or compatibility?). Or do I just trust that good converters will always be available if/when I ever switch to a mirrorless body?
Any insights would be appreciated.
Cheers, joel
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thanks everyone. I am interested in the Fuji, but I would prefer something slightly wider than 35mm. I'll also check the 20mm Sony, although reviews suggest it isn't very sharp. Not sure what the practical experiences have been_It would be nice to pair it with the 6000/6300.
The Panasonic 20mm gets nice reviews on photozone, so also worth a closer look.
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Hi All,
I've got a sizeable investment in Canon SLR gear, but am keen to do more impromptu street photography. For me, this means a smaller body with a small lens (fixed or zoom, ideally a 20-35mm-ish range) - something I could ideally pocket. I don't want to take too many compromises in terms of picture quality however. With the explosion of different mirrorless options, I am at a loss for what system to go for. I don't want to pay the excessive pice tags for the Leica Q or Sony R1X, but am willing to spend US$2000. Something like the Sony 6500 seems like a good choice, but high-quality small wide angle lenses do not appear available in the Sony range. Can anyone recommend a good camera/lens combo?
Many thanks,
Joel
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m frame rate of 60p when capturing Full HD video. It also offers Digital IS with 5-axis image stabilization to minimize the appearance of camera shake for sharper handheld shooting.
It looks indeed that its only for video. But still a nice feature that's not currently on the 5div which only came out a few months ago. Again, I wonder if that is a hardware or software feature? If it's software then it could be made available on the 5d.....
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Hi all,
I noticed that the new 6D II specs indicate that it will feature an optical image stabiliser. This is not featured on the recently released 5D IV. Is this a software feature? i.e. will this likely be made available on the 5d via a software update?
Cheers,
Joel
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<p>Alberto, i went a few years ago and was fine with my 70-2002.8 and 1.4 extender for most shots, although for the more shy animal (e.g. leopards) i would have preferred something longer. The 100-400 should give you enough reach and similar quality but with the extender you are looking at max aperture of 6.3 at the long end? That may be a little limiting in my opinion. I can't comments on the Tamron but it has similar limitations.<br>
Personally I would strongly consider renting the lens you would really like to have on this trip. After all, how often do you think you will be back to this very special place. Both the new 200-400mm and 300/2.8 would be pretty spectacular to take on this trip. just my 2 cts.<br>
p.s. dont' check in your camera equipment at JBurg airport....notorious for inside baggage handler thefts (at least a few yrs ago when I went).<br>
Cheers,<br>
Joel</p>
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<p>here is the entire shot</p><div>
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<p>corner at 5.6</p><div></div>
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<p>I'll leave the comprehensive testing to the pros, but here are the center, corner shots at 5.6 (which was the sharpest of 4.0, 5.6, 8.0 and 11.0 apertures).</p><div></div>
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<p>4th photo - far corner</p><div></div>
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<p>3rd photo - far corner</p><div></div>
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<p>2nd photo</p><div></div>
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<p>Used my new 16-35mm F4.0 IS for the first time today. Have to say I like it. Just in terms of sharpness, it is much improved over the 17-40mm in the corners (i can't compare to 16-35 2.8). Not much between them in the center. Just to give you an impression, I have posted a few shots taken at F4.0, tripod mounted, at similar speeds, 28mm. Taken at different times of day, so comparing a bit of apples/oranges, but you should get an idea. Cheers, Joel</p>
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<h1 ><strong> </strong></h1>
<p>If the new Canon 16-35mm/f4 beats the corner and distortion performance of my current 17-40, then I will be standing in line to purchase this one.<strong> <br /></strong><br>
Cheers,<br /> Joel<br>
<strong> </strong></p>
<h1 ><strong>Canon Broadens Its Imaging Lineup with Two New EF Ultra Wide-Angle Zoom Lenses and White EOS Rebel SL1 Digital SLR Camera</strong></h1>
<p ><em>High Performance Lenses Offer Optical Image Stabilizer and a Refined Compact Design; Lightweight EOS Rebel SL1 SLR Kit in White Available Soon</em></p>
May 13, 2014 12:37 AM Eastern Daylight Time
<p>MELVILLE, N.Y.--(<a href="http://www.businesswire.com/" rel="nofollow">BUSINESS WIRE</a>)--Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce two new wide-angle lenses and a new white color model of the EOS Rebel SL1 Digital SLR camera, just in time for summer. The introduction of the new Canon EF 16-35mm f/4L IS USM and the EF-S 10-18mm f/4.5-5.6 IS STM wide-angle zoom lenses provides Canon digital SLR camera users with the ability to capture stunning photographs and videos of spacious landscapes and many other iconic scenes. The EF 16-35mm f/4L IS USM lens is the first L-series wide-angle zoom lens equipped with image stabilization, providing professional photographers with expanded creative options, especially in low light. The EF-S 10-18mm f/4.5-5.6 IS STM wide-angle lens is an affordable option for entry-level DSLR users looking to enhance their images and videos with unique and creative perspectives.<br>
Since its introduction in March 2013, the EOS Rebel SL1, the world’s smallest and lightest digital SLR camera<sup>1</sup>, has provided photographers of all levels with a high-performance digital SLR in a small, compact camera body. The new white EOS Rebel SL1 Camera Kit is complemented by a matching white EF-S 18-55mm f/3.5-5.6 IS STM lens and offers a stylish alternative for photographers who like to stand out from the crowd.<br>
“Having just reached a milestone of producing 100 million EF lenses, Canon is dedicated more than ever before to its heritage of creating outstanding optics for photographers of all levels,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The EF 16-35mm f/4L IS USM and EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lenses, when paired with Canon EOS Digital SLR cameras, are powerful tools that can enhance any photographer’s creativity. And new to the U.S. market, the white EOS Rebel SL1 Digital SLR camera with its companion white lens, provides users with high-quality images in a small, compact body that is easy to bring along on all their summer adventures.”<br>
<strong>EF 16-35mm f/4L IS USM</strong><br>
Fully compatible with all EOS Digital SLR cameras including full-frame models like the EOS 5D Mark III and EOS 6D Digital SLR cameras, the compact and lightweight EF 16-35mm f/4L IS USM ultra wide-angle zoom lens offers high image quality and an Optical Image Stabilizer (IS) for shake correction up to four shutter speed steps<sup>2</sup>, making handheld shooting possible in dimly lit scenes where camera shake can occur. In addition, an intelligent CPU in the lens automatically selects the optimal IS mode by recognizing differences between normal handheld shots and panning. This technological advancement supports a greater range of creative expression for photographers in otherwise difficult shooting situations, such as dark indoor scenes where flash photography is prohibited, or in places where a tripod cannot be used, or when shooting at low ISO speeds.<br>
The EF 16-35mm f/4L IS USM ultra wide-angle zoom lens features newly developed, high quality Canon optics that incorporate three GMo (Glass-Molded) aspheric lens elements, including a large-diameter aspheric lens, which help improve image quality by correcting aberrations. Two additional UD lens elements help reduce chromatic aberration from edge to edge throughout the entire zoom range for excellent image quality with high resolution and contrast. The lens also features enhanced fluorine lens coatings on the front and rear lens surfaces to repel dust particles and help ensure superb color balance while minimizing ghosting. The inner focusing and ring USM offer silent, fast and accurate autofocusing. Full-time manual focus adjustment is available in autofocus (AF) mode. A nine-blade circular aperture creates beautiful, soft backgrounds. A new compact four-group zoom system provides a minimum focusing distance of 0.28m/11 inches throughout the zoom range and a maximum magnification of 0.23x at the telephoto end for outstanding performance.<br>
<strong>EF-S 10-18mm f/4.5-5.6 IS STM</strong><br>
Created to be a great companion lens for the Canon EOS 70D, EOS Rebel T5i, EOS Rebel SL1 and other EOS Digital SLR cameras with APS-C size image sensors, the EF-S 10-18mm f/4.5-5.6 IS STM lens expands Canon's line of Stepping Motor (STM) lenses. For entry-level users, this affordable wide-angle lens offers the ability to shoot creative, high-quality images and video in tight indoor locations such as a cozy corner table in a restaurant or unique vacation photos where the subject is close up, yet the surrounding area can still fill the frame.<br>
The EF-S 10-18mm f/4.5-5.6 IS STM ultra wide-angle zoom lens features a compact and lightweight design with an Optical Image Stabilizer for shake correction up to four shutter speed steps<sup>3</sup>, enabling handheld shooting in low light. The lens’ stepping motor and newly designed focus mechanism are ideal for Canon EOS Movie Servo AF (available on EOS 70D, EOS Rebel T5i and EOS Rebel SL1 cameras) to provide smooth, quiet and continuous autofocusing during video shooting, as well as when taking photos.<br>
The EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lens features one UD lens element to help reduce chromatic aberration throughout the zoom range for excellent image quality with high resolution and contrast. It also features enhanced multi-layer lens coatings to help ensure superb color balance while minimizing ghosting and flare, while a seven-blade circular aperture creates beautiful, soft backgrounds.<br>
Compared to the EF-S 10-22mm f/3.5-4.5 USM wide-angle lens, the EF-S 10-18mm f/4.5-5.6 IS STM ultra wide-angle zoom lens is nearly 20% smaller and 38% lighter. When combined with a compact digital SLR, such as the Canon EOS Rebel SL1 camera, the smaller size makes it very convenient to carry with the camera when traveling. The compact four-group zoom optical system provides a maximum magnification of 0.15x at the telephoto end. The wide-angle zoom range of the new EF-S 10-18mm f/4.5-5.6 IS STM is a perfect complement to the currently available EF-S 18-55mm IS and EF-S 55-250mm IS STM zoom lenses.<br>
<strong>New Lens Availability</strong><br>
The Canon EF 16-35mm f/4L IS USM and the EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lenses are scheduled to be available in June for estimated retail prices of $1,199.00 and $299.99, respectively. For more information about Canon EF Lenses visit: <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com%2Fcusa%2Fconsumer%2Fproducts%2Fcameras%2Fef_lens_lineup&esheet=50864159&newsitemid=20140512006792&lan=en-US&anchor=www.usa.canon.com%2Fcusa%2Fconsumer%2Fproducts%2Fcameras%2Fef_lens_lineup&index=1&md5=67fe4e6cd734d03f1f40c96631dfef10" rel="nofollow" target="_blank">www.usa.canon.com/cusa/consumer/products/cameras/ef_lens_lineup</a>.<br>
<strong>White EOS Rebel SL1 Kit with EF-S 18-55mm f/3.5-5.6 IS STM Lens Availability</strong><br>
The Canon EOS Rebel SL1 and EF-S 18-55mm f/3.5-5.6 IS STM lens kit in white is scheduled to be available at the end of June for an estimated retail price of $749.99<strong>.</strong> For more information about the white Canon EOS Rebel SL1 Digital SLR Camera kit and the full list of product specifications, visit <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com%2Feos&esheet=50864159&newsitemid=20140512006792&lan=en-US&anchor=www.usa.canon.com%2Feos&index=2&md5=6677c2b48f718e3844da56d673fb514d" rel="nofollow" target="_blank">www.usa.canon.com/eos</a>.</p>
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<p>M.P. It's true, esp in terms of corner sharpness, the Nikon blows the 17-40 away (at about F5.6). The barrel distortion of the 17-40 isn't huge (and I've been told is fairly easily removed in the Raw converter) but on the Nikon it's virtually non-existent - really impressive.</p>
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<p>John, indeed not fair to compare a $2000 lens to a $700 and a $400 one. I expect that the overall sharpness of the Canon 17mm TS will be quite similar to the Nikon. <br /> roger, I couldn't find any way to disassemble it. It doesnt have that many moving parts. <br /> John/Ed, indeed which adapter is that? I don't think an adapter that allows autofocus, and full (electronic) aperture control exists. (which I think is pretty amazing in itself, as I think many of us would buy it)<br>
cheers,<br /> Joel</p>
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<p>Hi all, no question here, just a quick recap of my experience (and slight problem) with the Novoflex EOSNIK/NT adapter and the Nikon 14-24. If you're like me, the possibility of mounting the Nikon 14-24 on my Canon body just seemed too good to pass up. So I purchased the Novoflex adapter for about 200 USD. Mounting was easy and the Nikon lens worked as advertised. Light metering works, but no autofocus and only limited aperture control (via a lever on the adapter). Just to see how good the Nikon lens is, I compared it with my Canon 17-40mm and Samyang 14mm. What I noticed immediately is how sharp across the frame the Nikon is compared to both lenses. Moreover, the Canon had quite some barrel distortion and the Samyang, well....it's like taking a photo and crumpling it up ("moustache" I've been told). I am sold on the Nikon. But now for the bad news, that niffty Novoflex adapter now won't come off the Nikon lens, no matter how hard I try to get it off. Needless to say, the lens rental company was not amused and sent it to their repair guys to see what they can do. If they charge me for the repair, I may need to offer to buy the lens from them....which won't be too bad of a deal ;-)<br>
Cheers,<br>
Joel</p>
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<p>Amanda,<br>
The biggest con for using filters (at least on my 5D II and Hoya R72) is that the minimum shutter speed (at ISO 2000 or so) to get acceptable results is somewhere near 10 secs. Clearly, images with people in them will be tricky......</p>
<p>Cheers,<br>
Joel</p><div>
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<p>Lulu, I like the Scott Kelby books (<a href="http://www.amazon.com/Photoshop-Digital-Photographers-Voices-Matter/dp/0321823745/ref=sr_1_5?ie=UTF8&qid=1380228893&sr=8-5&keywords=scott+kelby">The Adobe Photoshop CS6 Book for Digital Photographers)</a>...not an encyclopedia of what CS6 can do, but great tips written in a down to earth style. </p>
<p>Cheers,<br>
Joel</p>
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<p>Thanks for the sound advice guys. As for sites, 1x seems quite good. I'll check out the rangefinder site in more detail as well.</p>
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<p>Thanks guys. <br /> Niels, I'm not aware of print swaps. Do you have an example of a site to look at?<br /> Bruce, I'll give posting publicly on flickr a try. I'll post some tonight under JoelP88. Of course, happy to give you feedback as well. <br /> Wouter, I haven't posted a lot here, nor provided critiques, and true enough...cant just expect to enter an active community without being one yourself.<br /> Cheers,<br /> Joel</p>
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<p>An active community is more important than my own dedicated website, as I can easily display the images without my own site...but in the longer run, I would be interested in creating my own site. thanks.</p>
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<p>Dear all,<br>
<br />I have been posting photos for a while on flickr, but only to friends/family. Now, I'd like to benefit from the wisdom of a wider group of people and post images more publically. I am also interested in creating my own website and perhaps even selling a print or two... (but i am not a pro, so this is not my #1 priority)<br>
What in your opinion would be the best way to do this? Post publically on flickr and set up a seperate website (e.g. thru Zenfolio)? Are there good sites where one can do both? (hopefully not too expensive) <br>
Which sites offer the best critique/active communities? (flickr is huge, but images that garner alot of comments typically get feedback along the lines of "great shot"....with not much more). I am not on facebook, so that is not an option. <br>
<br />Any insights would be most appreciated.<br>
Cheers,<br>
Joel</p>
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<p>Have fun Anne, SE Asia is a treasure trove for photographers. I have lived and traveled extensively in the area and never had a problem. Mind you, in big cities like Manilla or Jakarta, I would be more careful - just use common sense. Personally, I would regret not bringing my " A gear" on a trip like this vs the outside chance that you will be mugged.<br>
<br />Cheers,<br>
Joel</p>
Continue to invest in EF glass?
in Canon EOS Mount
Posted