karl_cresser
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Image Comments posted by karl_cresser
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Wooo. Vertigo. An image giving a physical reaction, that's rare on this site. Well done.
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I like this picture, the tones and the sepianess are lovely. The whited out sky is a bit odd - what if you photoshoped it to the corner? Also, I long for it to be in the ideal format of a 6 by 7 neg. It just feels too skinny.
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I disagree with Jenifer, It's lovely, like a silhouette but with a bright corner for a change. My only concerns with your pictures are the angle of the horizontals, they seem to be a little off the perpendicular, but not enough to seem committed.
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I'm looking for feedback on this image. What do you think it is? Does
it look right? Does it seem interestingly odd but you don't quite
know why?! Bit of a leading question that one!
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fab.
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Inspired me to visit Portugal. Lovely contrast and composition.
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Cheers Colin, 'amazing' is a very rewarding word. Glad you enjoyed the puzzle element.
Babel Fish tells me Andrea's comment means 'to me it appeals to to me' (sic), which is also nice; thanks.
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Lovely and red. It has a landscape-sunset thing going on along with a macro-petal thing.
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Feedback appreciated. Am I getting anywhere with this?
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I think you're right about the exposure. I was concentrating on keeping some detail in the sun itself but this left all else too dark. Looks like another trip to the Tate is in order. The purple shadows are deliberate though.
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I decided to go back to the Tate Modern and try to capture the
earlier shot I took on the Finepix 4900 with the 6 by 7 neg of the
Mamiya 7. Using the digital camera instead of a Polaroid for getting
an idea of exposure and contrast. There was less smoke in the Turbine
Hall this time so the image is more contrasty, and shooting on film
seemed to have more contrast than the digital. I'm not sure which I
prefer, but this one I can print to 24". Please let us know what you
think.
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How's this one?
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Another pic from the Eliasson installation
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awe struck
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To me, this image shows a resignation to the now. Innocence is lost and so get on with it.
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arresting. like an erotic nightmare
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I like it. The coloured version has seemingly changed her expression from a slightly frightened foreboding s&m type of thing to a more whimsical and contemporary resignation. The lips might need a biy more work.
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Witty in a chi-chi kind of way. Eliasson's work can border on the romantic and you have picked up on that.
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Thanks for the feedback. Yes it is Olafur Eliasson's The Weather Project and he must take credit for the sun and the mist and the reflective plated ceiling. The original architect Sir Giles Gilbert Scott and the 'renovators' Herzog and de Meuron should also get some credit for such a fantastic space. Yet photography offers still yet another interpretation and one that can vary so wildly in its vision. Please go and see it if you can. It's free!
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Drop on Red Roof
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