pns digicam
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Posts posted by pns digicam
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<p>My apologies for my ignorance. I could not find an answer to this question anywhere: <br>
Is the E-520 compatible with micro 4/3 17mm pancake lens, without an adaptor?</p>
<p>Thank you.</p>
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Leica forum
<A HREF="http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=006Vlc">
contre-jour thread</A> from a couple of months ago.
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Brian: Chill. Get a life. This entire post is meant as an amusing joke. Nothing more.
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Brian: Strong words considering that you organize your photos by
the lens used.<P>
nth commandment: People who live in glass houses.....
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Perhaps I'm misunderstanding the problem, but try this:<OL>
<LI>attach the camera via USB</LI>
<LI>open iPhoto</LI>
<LI>turn the camera on</LI>
<LI>click on the "Import" button near the bottom of the iPhoto window
</OL><br>
You should see a message in the lower left corner of the iPhoto window, something
like "Rollei dt 3200 32 photos".
<P>
If that doesn't recognize the camera then do a Google search for an OS X version of
whatever Windows software came with the camera (e.g. if the packaged software is
called "ImageBrowser", then search for "ImageBrowser OS X" in Google).
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Nice shot Alex! I've been pre-occupied with other things and haven't furthered my "From the Passenger Seat" series. Your photos are much better than mine anyway!
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Canon D30/D60/10D or Nikon D100.<BR>
The original question did not exclude digital.
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The Olympus C-2040 is great- fantastic optics, fast lens (f/1.8), good controls. Must
be quite inexpensive on EBay now. Any of the Olympus D-series cameras are good as
well.
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Thanks for the clarification Patrick. I have yet to shoot with anything other than a digital P&S, so whatever little I know is from reading only; I don't want to have to change my "first name" ;-)
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Raw mode allows you to capture what is essentially a parallel to a negative (or transparency), while jpegs and tiffs are essentially a "print". So a raw file is unprocessed- i.e. has not lost information, while a jpeg/tiff is processed and has lost some information forever, such as the ability to adjust color temp.<P>
I suspect for the latest Nat Geo article on modern airplanes, which was shot digitally, McNally utilized raw mode since the indoor shots appear to be color-balanced, while the article on Tango, shot with film, has that warm glow for the indoor shots. Neither is "better", it's just personal preferences...
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Hi Jeff<P>
I think the debate sparked by the photos is as compelling and revealing as the photos themselves, so why insist that people restrict their comments to the artistic merit of the photos only? Clearly Mr. Appleby is making a statement with these photos, his text and with the glaring lack of photos of the other side of the story- the Israeli victims of terror. We are all entitled to respond how we wish.<P>
Very impressive photos, Mr. Appleby. I would love to see you point your camera at the Israeli families who have lost parents, siblings, children and friends in this war. Hear their story as well. Show that there are no winners in any war. Thank you.
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I could see this photo at the beginning of a few rolls that you would have shot as a
photo essay on this person, but on its own I agree with all above that there are too
many distracting elements that you simply have not brought together in any
meaningful composition. Perhaps getting closer to the man yet still including some
bottles, perhaps getting down on the ground to accentuate the "field" of bottles with
the man embedded within. As it is, it's just too plain- sorry, but you asked for an
opinion.
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Great thread- lots of cool photos.<BR>
Shel Belinkoff: I think you're reading WAY too much into what is, (I'm sorry), a
mediocre photo. It might have been more impressive without the narration...
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Hmmm.. Not sure why I only got a link. See Olivier? You're not alone.<BR>
<img src=
http://www.photo.net/bboard/uploaded-file?bboard_upload_id=15378284>
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Very nice photos Alex. Be forewarned- this theme becomes progressively addictive.
You may find yourself going on trips solely to photograph the journey.
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Wentong- I'll be happy to take that film off your hands. 5 MP is good, but is not
anywhere near the resolution of film.
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I agree with Josh as well- you have to pre-focus, regardless of whether you're using a
P&S or a Leica M.<P>
When I shoot with my Olympus D-40 P&S I have learned to get into a "rhythm". Ditto
for my M3; it's just a different rhythm.<P>
<B>Why is everyone in such a rush to make a photograph????</B><P>
If you're just putting the camera to your eye while the fleeting moment passes, you've
already missed it. The wonderful thing about "rangefinder-style" (uh oh- here come
the flames) is that you can frame a shot and wait; anticipate the moment. Sometimes
you nail it; often you don't. But that's the fun of it, at least for me.
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Thanks for the kind remarks Alex!
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One more time, in the unlikely event that anyone still cares: My presentation <A HREF=
"http://www.photo.net/photodb/presentation.tcl?presentation_id=227961">
"From The Passenger Seat"</A>
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Oops... here's the proper link to my presentation
<A HREF=
http://www.photo.net/photodb/presentation.tcl?presentation_id=227033>
"From The Passenger Seat"</A>
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<IMG SRC=
http://www.photo.net/photodb/image-display?photo_id=1903932&size=lg><BR>
One of my photos <A HREF=
"http://www.photo.net/photodb/edit-presentation?presentation_id=227033"
>From The Passenger Seat</A>
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Hi Ray<BR>
Actually, I'm color blind (no joke). If you've got a few minutes, you will see that the
other photos in my collection are not overwhelmingly blue (I think...). I guess it was
just a very "blue" weekend.<P>
I hope nobody minds that I'm posting digital shots. I've read the revised forum
guidelines and I think it should be OK. Also, I shoot with an M3 but I just don't scan
those photos.
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<CENTER><IMG SRC=
http://www.photo.net/photodb/image-display?photo_id=1915549&size=lg>
<BR>Another one for my series
<A HREF=
"http://www.photo.net/photodb/presentation?presentation_id=227033">"From the
Passenger Seat"</A></CENTER>
Is the E-520 compatible with micro 4/3 17mm pancake lens?
in Olympus
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