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stanmalcolm

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Image Comments posted by stanmalcolm

    Inflight refuling

          4
    Superb! That is the moth of a tomato hornworm (or at least a close relative). Easily mistaken for a hummingbird. All the hawk moths feed on nectar while hovering. Great demo of how insects use their wings to hover: they don't flap up and down. Instead they flap them back and forth (front to back); a bit like a swimmer treading water wearing flippers.

    Dahlias

          4

    Thank you for your comments.

     

    Took this and other photos at our local garden center: their flowers

    well cared for, and they do all the work. (I do make a point of

    buying something anytime I take pictures at a garden center. In this

    case, I will also frame a print for them.)

    Untitled

          3

    Handheld (though braced), shooting through glass at the San Antonio

    Zoo. I like the dappled sun on the rock that blends with the jaguar's

    cheek and paw.

     

    Thanks for your comments.

    Beaver Wake

          2

    While intent on photographing a beaver

    (http://www.photo.net/photodb/photo?photo_id=2272893), I was struck by

    the reflected colors of overhanging brush on the water surface. The

    resulting photo - with the beaver cropped out - reminds me a bit of

    the complex reflections of Chihuly's glass sculptures.

     

    If you like this, please view my Surfaces folder for others:

    http://www.photo.net/photodb/folder?folder_id=389648

     

    Thanks for you feedback. - Stan

    columbine

          2
    Would enjoy seeing this in higher resolution. (Suggest submitting a version about 480 pixels wide.) Still, nicely framed - not an easy thing to do with columbines.
  1. Marla, your analogy to sports and portrait photography makes good sense. ("Great action shots require someone else to win a race or steal a ball or score a point. Studio portraits are much better with good model.") Thanks. It helps me realize that one of the ways I've grown over the past two years shooting pictures of the same short section of nature trail is in my ability to anticipate: to know when there's likely to be a special sunrise, or when/where a certain flower or animal is likely to appear. Following your analogy, it would seem that in addition to the technical aspects of taking the picture, a sports photographer must know when and where the best action shots might occur, and the portraitist must know what makes a successful model. Does that seem right? So, anticipation is a key. I understood that in still life, but it hadn't occurred to me in nature photography. - Stan
  2. Thank you for your comments.

     

    I have a question for nature/scenery photographers. I struggle with

    how much credit I can take for photos: While I'll take some credit for

    composition, and getting up early every morning to look for shots like

    this; it seems to me that nature provides so much more - the colors,

    the patterns, etc. Most of the time, I feel like a lucky recorder.

    Do others feel this way? If so, how do you resolve it? - Stan Malcolm

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