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ron_lawrence1

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Posts posted by ron_lawrence1

  1. I experienced this same problem on a light weight Calumet wood 4X5

    field camera. I now use a Linhof Technica III for 4X5 and a Calumet C1

    for 8X10 and I have no problem. Both are metal cameras and very

    stable. This may be one of the things you have to put up with when

    using older wooden cameras.

  2. I have a 375 Ilex Caltar that is use for 8X10 B&W and it performs very

    well. In fact I have compared it to a 14" Kodak Commercial Ektar and I

    can not tell any difference on 8X10 contacts. Maybe there was a

    quality control problem that caused some 375 mm Ilex Caltar lenses to

    be poor performers. If this is true I would have thought it would also

    affect other Ilex Caltar lens.

  3. Just to clear David up, the two Ilex No. 5 Universal Sync shutters I

    have are both self cocking. Of my two shutters, the oldest one that

    has not been CLA'd in 10 years works great with my cable release. The

    newer shutter which was CLA'd within the last year will not work with

    the same cable release. I think it needs a longer plunger for some

    reason.

  4. I also use a B&J Grover 8X10 but to my knowledge the 8X10 Grover never

    had an extension rail as an option. My rail is a hex rail

    approximately 20" in length. My bellows will only support the 20"

    rail. There are no gear teeth on my rail. I think someone may be

    pulling your leg.

  5. I had a bellows made for my Calumet C1 approximately 6 months ago by

    Flexable Products in Florida. Cost was $175 and all I had to do was

    send them my old bellows with the bellows frame on both ends. Quality

    was okay but not as good as I was expecting. Turn around time was 3

    weeks.

  6. One thing I forgot to mention that may be an important issue. In my

    older age I'm now wearing Varilux progressive focus glasses. Lining up

    you glasses on the loop eye-piece for sharpe focus can be a real

    hassle.

  7. I currently have two different focusing loops that I use on my 4X5 view camera (Toyo 4X & Eschenbach 8X). I have recently gotten a Acculight light table and I'm using the same two loops to view transparencies on this light table. What I have noticed is all transparencies are very slightly soft when the loop is placed on top of the transparency. When I raise the loop up off the transparency approximately 1/16" for the Eschenbach and 1/8" for the Toyo, images are tack sharp. What's going on? Do I need to purchase a special loop for viewing transparencies on a light table? Thanks!
  8. I currently use an older Technika III and think it is the greatest 4X5

    field camera I have ever used. I love the precision. In fact I have

    sold two different wood field cameras over the years (Wista DX and

    Horseman)in favor of keeping the Technika III. Don't get me wrong, I

    think wood field cameras are beautiful but sometimes beautiful things

    are meant to be looked at. The less beautiful Technika is a tool that

    keeps on delivering beautiful images year after year.

  9. It has been 5 years since I owned a Wista DX and I have never owned or

    used a Tachihara. I have compared the two cameras and they will

    basicly do the same thing. The person under the dark cloth and the

    lens are the most import elements when comparing these two cameras.

    With that said, the differences I saw when comparing the two cameras

    were, Wista has a better made bellows, Wista has a little thicker

    cherry wood, Wista has a better grade brass metal work. These are the

    reasons the Wista cost more money. If I had to do it over again I

    would buy the Wista DX. Since you already own the Tachihara, keep it

    and enjoy it.

  10. What do you mean you can not afford a Unidrum. The last two I

    purchased locally cost me $5.00 each (used, but very nice condition).

    I also purchased a Unicolor motorized base for $15.00. The system

    works great and is the lowest cost way to process 4X5, 5X7 or 8X10

    film. Good luck!

  11. I have 90 mm Super Angulon in a defective Compur shutter. I also have a spare Compur shutter in very nice condition with the same min/max aperture. If I were to exchange shutters, what kind of calibration is needed to match the lens to the new shutter? When I take the lens elements off the defective shutter, I see no shims. Thanks for your guidence!
  12. I have an 8X10 bellows made recently by Flexproducts. The company was

    very customer friendly and it only took 4 weeks to get the bellows

    back. Quality was okay considering the $160 price, but nothing like

    the original Calumet bellows. The folds were not symertrical and the

    inter and outer material was not glued in places which caused a few

    puckers in the bellows. Flexproducts offered to make the bellows over

    again but I was to eager to get out and use the camera and figured it

    was only a cosmetic problem that I could live with. Good luck!

  13. David.... I use a Beseler 8X10 drum and Rodinal 1:25 to process single

    sheets of HP5+. I have had very good results using 120 ml of

    developer. I also use a water bath for 30 seconds before the

    developer. I hand roll the drum. I have never tried the motor base.

  14. Can anyone tell me the differences between the different "C" series Calumet 8X10 field cameras? In View Camera magizine I have seen advertised models "C", "C1", "C2". In pictures I have seen Calumet 8X10's that were black, blue, green, gray. Do the different models match up to the different colors?
  15. I once had a 5X7 Elwood that I used for printing 4X5 negatives. Since

    the carrier is made of wood, it was pretty easy to make a 4X5 carrier

    in my wood working shop. I sandwiched the negative between the carrier

    and a wooden frame. I also used a 5X7 Aristo cold lite head with my

    Elwood. It worked well! The only problem I had with my Elwood was

    stability. I had to gut the enlarger column to the wall using cable

    and turn-buckles.

  16. Thanks to all for the comments! The Commerical Ektar has nice glass

    but has a ding (been dropped) around the filter ring area. The shutter

    will need to be CLA'd because slow speeds are way off. The Ilex

    Calumet Caltar lens is in very pretty condition, both glass and

    shutter. Shutter seems to be close to accurate but has not been tested

    on a shutter tester. How can I tell a 3 element from a 4 element Ilex

    Calumet Caltar. The serial number on the Ilex lens is 1531. I was told

    it was late 1960's. I have seen some 14-3/4" Ilex Caltar Acutar lens

    that do sell for a little less. Could this be the 3 element lens? By

    the way, I'm looking at local camera shops because of some bad

    experiences I have had with buying on EBAY. What you get is not always

    as described and shown on EBAY.

     

    <p>

     

    Thanks again!

  17. I'm looking at two used 14" lens at local shops in my area. I have narrowed my choices down to a 14" Commerical Ektar in VG condition for $500 and a 14-3/4" Ilex Calumet Caltar lens in E++ condition for $300. Does the Commerical Ektar in it's condition justify the $200 greater cost over the Ilex lens? Both are in Ilex Universal #5 shutters. I will be using the lens to make 8X10 B&W contacts and an occasional 8X10 color transparancy. Thanks!
  18. Send your lens to a shop you trust now before the fungus starts

    etching into the coating. I once had a 90 f5.6 Super Angulon that had

    fungus and I sent it to Schneider USA and they were able to clean the

    lens so it looked like new. Peace of mind now and resale in later

    years will make it worth the $50-$75 it will cost to clean.

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