Jump to content

brad_hiltbrand

Members
  • Posts

    263
  • Joined

  • Last visited

Posts posted by brad_hiltbrand

  1. I drove much of that route that twice last winter in late Dec and again in February. That is

    the fastest route, although 6.5 hours is not nearly enough time. Count on at least 8-9

    hours. I prefer to take the Walker pass (rt 178) from Bakersfield rather than Tehachapi

    pass (rt 58). The Walker Pass is much more scenic, but slower. There are lots of great

    Joshua trees near the top of this road.

     

    In the summer Sonora Pass (rt. 108) is the quickest way to 395, but it and several other

    routes over the Sierra are closed during the winter. If you are prepared for lots of serious

    winter driving, I80 over Donner Pass and I50 through S Lake Tahoe also work assuming

    you can drive South on I395. It was closed recently for several days between Mammoth

    Lakes and Bridgeport. Check the weather and road conditions before leaving!

     

    http://www.dot.ca.gov/hq/roadinfo/mtnhwys.htm

  2. Oh, I almost forgot. The Mamiya is manual focus. The Fuji autofocus is pretty

    good, but manual focus is limited to preset distances. I like the Fuji a lot, but

    sometimes I feel like I have to struggle to use what was really designed as a

    point-and-shoot camera. Using traditional manual settings on the lens instead

    of toggling buttons to change parameters on a hard to see LCD screen would

    be a joy. Other cameras I have considered are the larger manual focus Fuji

    rangefinders but they are limited to a single focal length and have no in-

    camera meter. The Mamiya is clearly the best medium format rangefinder

    system available. But then there is that pesky cost issue :)

  3. There are many advantages of the Mamiya 7 over the Fuji GA645. First, the

    negative size is almost 2X larger which would make looking at film on the light

    table a joy and increase resolution of scanned images. Second, the

    viewfinder is much larger and brighter. And third, the prime lenses for the

    Mamiya are as sharp as lenses get and there is a much wider range of focal

    lengths available compared to the 55-90mm range on the Fuji.

     

    The down side is the cost. To cover the same range of focal lengths with the

    Mamiya as provided by the 4-step zoom lens on the Fuji would take at least

    three different lenses for a total system cost of over 4K.

     

    I have decided it is more important for me to concentrate on improving my

    picture taking before upgrading to the Mamiya 7II.

  4. It is not really hard to use a polarizer with any rangefinder. Simply hold the

    filter in front of your eye looking at your scene, rotate the filter to maximum

    polarization, note the position of the rings relative to each other using

    manufacturers labels or marks on the rings, mount the filter on your lens, re-

    orient the rings to the proper position you just determined, set exposure

    compensation of +1.5 to 2 stops (somewhat dependent on the direction of

    exposure and the degree of polarization), and take your exposure.

     

    I also use a Fuji 645Zi and found using the polarizer was almost always

    unecessary or had a garish effect since I shoot a lot at high altitude. I use it

    rarely and so taking a few moments to fiddle with the polarizer is not that big a

    problem. The key thing is to remember to set at least exposure compensation

    and bracket exposures. Polarizers at maximum effect block about 2 stops of

    light.

     

    The mamiya 7 polarizing device is an expensive mechanical solution that

    although more efficient and accurate than the workaround I suggest, is not

    worth the expense of switching camera systems, imo. There are, however,

    plenty of other reasons to upgrade to a Mamiya 7 :)

     

    If I had a few spare thousands of dollars, I would trade in my 645Zi in a

    hearbeat. But the kids have to eat, darn it.

  5. All you can do is to put yourself in the right place at the right time of day and

    hope for great light. The picture should be planned before you set out to take

    it. This requires scouting the location, checking the weather, knowing the time

    of sunrise/sunset/moonrise/moonset at your location, etc. Some professional

    landscape photographers strive to make only 2-6 outstanding images a year,

    but spend lots of time scouting locations, checking the astronomical tables,

    waiting for the right time of year, and then waiting on location for the right light.

     

    Sometimes you get lucky and conditions are good for photography, but most

    of the time conditions just won't cooperate with your schedule. Research and

    planning in advance will maximize the potential of your photography time.

    There is no such thing as saving time in landscape photography. It is all about

    using the time you have wisely. The image should be imagined before

    captured by your camera. From time to time a great image will simply present

    itself, but more often than not, great images will require significant amounts of

    preparation.

     

    Happy shooting!

  6. The aspens in the canyons of the Eastern Sierra mountains are very colorful

    in late Sept - early October. Good locations are found from Bishop northward

    in the Sabrina lakes basin above Bishop canyon, the lakes along Rock Creek

    west of Tom's place, McGee creek, Convict Lake, Lundy Lake, etc. But you

    have to time your visit perfectly. Fall is a short season in the sierra.

  7. I use a tripod almost all the time (landscapes are my main subject), but have

    successfully hand-held people and street shots as low as 1/45. 1/60 works

    very well if I concentrate on good technique. It is important to note that the

    autofocus can be a little slow, pressing the shutter half-way sets not only the

    exposure but also the focus distance, so pointing and shooting can result in

    focus errors if you simply fire the shutter without pausing half-way. Make sure

    to get a focus lock. As mentioned, it should be easy to tell motion blur from a

    focus problem. I use Zi with ISO 100 film hand-held in bright light with little

    difficulty. I also do not think tthe 'slow' lens is a problem since I usually want

    more dof than F5.6 - 6.9 provides. Certainly using 400 speed film will help

    hand-holding. I use Provia 400 from time to time.

  8. I agree with all of the above. In addition, Arches can be very very hot in July

    and August. If you are camping that is something to consider carefully.

    Campsites may be hard to find at the single campgound during July and

    August. If you are staying in nearby Moab the heat will be something you can

    escape at night and during mid-day.

     

    All things considered, avoid the peak tourist and heat season if possible, but

    don't miss an opportunity to go soon. Arches is an amazing place. I think

    entirely too much emphasis is placed on photographing the 'icons' and not

    enough time spent simply appreciating the flamboyantly colored desert

    environment. My next trip to Arches will probably be in the late fall or winter to

    avoid the heat and crowds and increase the chances of interesting weather.

  9. Having made the 30 mile drive numerous times north to the bridge from

    Menlo Park I can attest to the fickle nature of the weather and light conditions

    at the GGB.

     

    My inclination for this type of shot would be late afternoons tp sunset from

    mid-summer on when the hot central valley creates a heat-sink that draws in

    cools air straight through the Golden Gate with its accompanying fog. I like the

    sunset light on the bridge when viewed from the Marin headlands better than

    AM shots. But you never really know what sort of conditions you will have until

    you get there. This shot is similar to what you are seeking from Lincoln Blvd

    above Baker Beach at sunset in early January 2003:<div>008mE7-18680684.jpg.648dd4d07085ead3ad97b856c5805953.jpg</div>

  10. I am not going to comment on where you should stay so much as to

    emphasize some of the logistical problems you will face. The Eastern Sierra is

    a BIG place. Lone Pine to Bishop is only 58 miles driving distance, so it looks

    like only an hour from door to photo location. BUT, as soon as you start up the

    side canyons to predetermined spots you will need at least another hour or

    more, especially if you plan to hike in any distance. You need to plan ahead

    to have any hope of being in the right place at the right time, and even then

    conditions will almost certainly not be ideal. All you can do is place yourself in

    the right location at the right time of day and hope for the best.

     

    I agree with the comment above that suggests not investing too much time at

    Mono Lake. It is more than 120 miles from Lone Pine, greater than 60 miles

    for Bishop, and you need to be at South Tufa at least an hour before sunrise

    to find a good location. There are better places to spend your valuable time

    since it is so far away from your intended sleeping locations and is likely to

    disappoint.

     

    The key locations I would concentrate on for your short trip would be

     

    1. The Eastern face of the Sierras from the canyons and lakes near Bishop

     

    2. The Alabama Hills on Movie road from the Mt. Whitney Portal road out of

    Lone Pine, and

     

    3. The Bristlecone Pine forest accessed from Big Pine just south of Bishop.

    The Bristlecones are directly above Bishop, but you get there via a round-

    about route from Big Pine, east to Westgard Pass, and then due north along

    the spine of the White Mountains. The most direct route is straight up Silver

    canyon road from Bishop, It is only 15 miles via that route, but will require

    4WD, high clearance, low range transmission, really really good tires, lots of

    bravery or sheer stupidity (interchangeable), and possibly an tire patch kit and

    inflation pump. I mention it only because I was dumb enough to drive it a

    couple of days ago and found it passable. But do not attempt this road in a

    passenger car or SUV without a low range.

     

    You will find lots of great opportunities up RT 168 west up Bishop canyon

    (including Lake Sabrina, North, and South Lakes). Rock Creek Canyon (and

    lake) a little farther north is also good, continuing north is McGee Creek

    Canyon (my favorite), and still farther north is Convict Lake. . Shoot all of

    these areas at Sunrise for the dramatic light on the Eastern escarpment of the

    Sierra at dawn. I would suggest camping near any of these locations, or

    spending the night at Bishop for reasonable travel times.

     

    You can access the Alabama Hills relatively easily quickly from Bishop, but

    make sure you know ahead where you want to shoot. Movie road is several

    miles long and has many unmarked side roads leading into these wonderful

    rock formations. Also drive farther up the Whitney Portal road to the end at

    above 9000' for views back down the Owens valley.

     

    The Bristlecone pine forest is a must see place in my opinion, but I just

    returned from a 5 day shoot there and the glow of the place is still in me. It is

    not just the trees that are interesting but also the dramatic difference between

    the White Mountains range and the Sierra. You will see many fantastic views

    of the Eastern Sierra all the way from Whitney to far North of Bishop. The view

    of the Palisade glaciers above Big Pine is wonderful from many spots along

    White Mountain road. As for the Ancient Ones, the lower Schulman grove of

    trees is about 24 miles above Lone Pine, all paved roads. Because of the

    steep climb to above 10,000 feet, expect that trip to take about an hour from

    Big Pine (15 miles south of Bishop). The higher and more dramatic Patriarch

    grove is another 12 miles along a very rough dirt road. 4WD not necessary,

    but good tires and some willingness to rock and roll will help:) The

    Bristlecones can be wonderful at sunrise and sunset, but not all bristlecones

    are good at both sunrise and sunset. Most of the trees are good at only one

    time or the other. Some are not in the light until 2 hours post sunrise, and

    others go into shadow 2 hours before. This is a big place and you really need

    some time to explore before you start shooting, especially if you want to find

    the good light. The paved access, developed trails, and nature center make

    the lower Schulman grove a must see and a good mid-day excursion. If you

    have the right vehicle, the best trees are in the Patriarch grove or along that

    road. Ditto for the best views of the Eastern Sierra. But you need to be plan

    ahead for some significant travel times.

     

    So I guess I would stay at Bishop for the whole trip if you don't want to camp

    closer to any single location. The Alabama hills at sunrise returning north to

    spend the afternoon in the White Mountains would make a good long day.

    Remember these trees are all above 10,000 feet to you may experience some

    trouble breathing. Take along lots of water and plan on spending some time

    up there to seek out good subjects and compositions and pray for good light.

    Spend another day or two exploring the canyons from Bishop north and you

    will have seen many of the key locations and discovered the infinite

    possiblities and infinite time that you could spend photographing in the

    Eastern Sierra.

     

    Lastly, sunrise is currently at about 5:30 AM and sunset after 8 PM, making for

    some short nights if you shoot both sunset and sunrise locations and have

    significant travel times. Both Bishop and Lone Pine are interesting places to

    visit, just remember that although they are only an hour apart, all the great

    locations are probably AT LEAST another hour away.

     

    Have a great trip. Plan well and be prepared and hopefully you will be

    rewarded with great light! Have fun.

     

  11. National park dog policy is very restrictive if you travel with a canine

    companion of any size. No dogs allowed outside of paved areas and

    campgrounds and then only while leashed. As mentioned, National Forests

    are much more dog friendly, although generally leashes are required as per

    whatever state/county law may apply. Areas designated as Wilderness are

    off-limits to dogs with no exceptions because of concern for native wildlife. I

    think this concern is well-meaning, but founded on the assumption that every

    dog is going to run amok killing everything in site. Of course in some places, it

    is the dogs that might be on the dinner menu. Coyotes and mountain lions like

    the taste of dog.

     

    I always take my dog with me on photographic trips, but sometimes he has to

    stay in my vehicle for a while. I do admit letting him off leash under voice

    control in many areas but I am almost always breaking some Federal, State,

    or County law.

     

    It is my opinion that these anti-dog restrictions have gone too far in many

    places, and leave no room for properly trained animals who are little threat to

    the environment, or anyone else. I personally think HORSES create an

    environmental problem on the ground wherever they are allowed, and they

    are allowed many places dogs are not.

     

    Good luck.

  12. These tracks are very common around the Eureka dunes. I am pretty sure

    they are Kangaroo rat trails. If you look carefully you can see the tail drag

    marks in places. These tracks are found all over the lower dunes close to the

    surrounding desert where the kangaroo rats make their burrows.

     

    I took a similar picture of the same sort of tracks and dune ripples in January.

    Yours photo is much better. Nice image!<div>007wGX-17479984.jpg.246b5083e6cbbc2d20c01210e15ce82a.jpg</div>

  13. You lost me there. Since the camera will only accept a max ISO of 1600, when

    your shoot with ISO 3200 film your readings should always be a full stop

    overexposed, not underexposed. You would normally have to pull process, or

    use exposure compensation because the meter will be calibrated for an ISO

    one stop too low.

     

    In any event, my Zi metering seems dead-on through several thousand

    exposures using ISO50-400 slide films. Exposure compensation is easy on

    this camera ( (+/- three stops) so experiment a little and you will have an easy

    work-around assuming the meter really is off.

  14. Having been to the Bishop area twice in the past couple of months, I can

    confirm a major snowpack in the Sierra's. Mt. Whitney and other areas with

    access from side roads off 395 into the mountains are closed due to snow.

    The Bishop creek road up into the Sabrina Basin is also closed for the winter.

    The Alabama Hills (off the Whitney Portal access road in Lone Pine) are snow

    free and very photogenic in the mornings with the snow covered mountains

    as back-drop to the West.

     

    Since you are coming from So. Cal I would strongly suggest spending a day

    or so in Death Valley since it is only a 4-5 hour drive away. Take highway 5 to

    14 to 395 North just like going to Bishop, but turn off on highway 190 at

    Olancha, or continue 30 miles North to Lone Pine and the Alabama hills, and

    then head down the East side of Owens lake back down to highway 190 and

    into Death Valley over Townes Pass. From LA it is around 300 miles to Death

    Valley. I missed the wildflower bloom two weeks ago, but due to recent rains,

    it is looking very promising for lots of flower blooms in mid March in Death

    Valley.

     

    After exploring DV for a couple of days (or weeks) you can head north through

    Bishop, making the return journey via the long drive along the Eastern Sierra

    to return to the Bay area via Tahoe, or head back South and return via the

    Tehachapi Pass (rt 58) or via my personal choice, the Walker Pass (rt 178)

    through some nice Joshua tree groves. Have fun!

     

    Carry chains on 395 north of Bishop! It is still winter up there.

  15. I did it in early January in well under two hours from SP Wells to

    the Grandstand. The unpaved part can be done in an hour or a

    little more. Allow at least two hours depending on your vehicle

    and motivation. More time to drive to the south end of the playa

    and walk out to find some interesting rocks.

     

    I drive an old Ford Explorer 4-wheel drive that I don't mind

    pushing hard on the washboards, so 25-35 miles an hour works

    well most of the time. Slower speeds are terribly uncomfortable. I

    will note that the washboard situation on the racetrack approach

    road was very bad just after New Year. I would not have wanted

    to drive it in a small sedan, but there was nothing about the road

    itself that required a high clearence 4WD.

     

    Current conditions: I just returned from DV last night after

    camping for several wonderful days at the Eureka Dunes. It has

    been raining quite a bit at the higher elevations. I would expect

    the racetrack playa to be very wet right now.

     

    To everyone: Please don't walk on the wet playa. Your footprints

    will last for years just like the "Fuck Mondale" graffiti left long ago

    by some inconsiderate sob.

     

    Almost all unpaved access roads to classic scenic sites are

    currently CLOSED (2.26.04) due to ice and snow (hence my

    return home). If your are going in the next few days, expect

    closures of Dantes, Aguerrberry Pt, Artists pallete, West side

    road and associated canyons, Titus canyon, Charcoal kilns,

    Skiddo, North and South Saline valley roads, etc. There has

    been a large amount of rain and snow at higher elevations and

    there are large washouts that road crews are cleaning up on

    route 190 on the descent to StovePipe Wells. The park service is

    very conservative about road closures. Expect a lot of them in the

    next couple of weeks.

  16. The shutter may need a CLA at around 5000 (or more)

    exposures. That camera has lots of useful life left. I bought mine

    new at B&H last year for more than twice the price you mention. I

    think you have a very good price. EBAY prices for the 645Zi and

    the larger 690 rangefinders are currently in the $600-900 range

    depending on condition and sellers rep. It sounds like a good

    deal to me.

  17. Travis, there is a difference between disagreeing with another's

    opinion, and attacking the man (or the woman). The POW in

    question was supposed to induce discussion, and it succeeded

    spectacularly well, although the discussion is apparently not

    quite like that expected. I have learned a lot from reading the

    responses in that thread and have enjoyed it more than most

    POW discussions.

     

    There are obviously at least two diametrically opposed positions

    on the originality issue in regards to landscapes of 'familiar'

    locations, but I do not see the 'pack' you allude to, no dominant

    position. I see a lot of reasonable people disagreeing on

    reasonable grounds. The forum adminstration seems to only get

    involved if one's opinions start to be of a personal, rather than a

    rational nature. No one is picking on anyone. We have all simply

    agreed to disagree, and have tried to explain why.

     

    Mary, thank-you for your time, effort, and good will.

  18. You can not force the built-in flash to fire in program mode if the

    background is light enough to make the camera think it needs

    no flash. There is no way to force flash in full-auto mode.

    However, tt will Always fire in aperture, a-synch, and manual

    modes if the flash is popped-up. Your minimum shutter speed

    using the built-in flash is limited 1/45. F-stop will depend on film

    speed.

     

    For the built-in flash, the guide number is 12 for ISO100, 24 for

    ISO 400.

     

    Farthest flash distance at ISO 100 is 2.7 meters with lens at

    55mm and 1.7M at zoomed to 90mm. Farthest flash with ISO

    400 film is 5.3 meters with the lens at 55mm and 3.5 meters at

    90mm.

     

    The manual warns of using other makers external flash units

    with a signal pin which can apparently get stuck in the hot shoe.

    Use external flash units in manual mode. The shutter speed is

    not limited to 1/45 sec which may result in long exposures. Do

    not use built-in and external flash units together. Fuji

    recommends its own flash unit, the strobe GA which will allow

    operation in auto mode. When ISO 100 film is used and aperture

    to F8, you can take pictures in automatic exposure mode.

×
×
  • Create New...