gary_ferguson1
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Image Comments posted by gary_ferguson1
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July 2009.
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Well seen! Would work doubly well if it was one from a series.
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Poignant and moving. Strong composition. This really works.
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Incandescent, exceptionally atmospheric.
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Beatifully composed, I thought I'd seen every possible version of motion softened water, but there's something very fresh and intriguing about this shot.
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Very strong composition, I like this a lot.
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Well seen and well printed. There's an electric crackle to the print that beautifully compliments the subject.
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Taken with an old folding camera
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Very nice, this is what a Leica was built for!
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Well composed but the converging verticals are distracting
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Onions
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Cannes, Film Festival
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Cannes Film Festival
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Cannes Film Festival
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Alone in a crowd
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A slow, quiet moment
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I'd like to buy a print of this (ideally silver rather than digital), would this be possible? If you're willing to make and sell a copy please contact me off line.
By the way, has there ever been a gallery where "Photo Of The Week" photographers offer their work for sale? I collect prints and I've seen several in Photo Of The Week that I'd certainly like to have in my collection.
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Piotr, I work just around the corner from here, and so see this car every day, I've often meant to photograph it, now I don't have to! Very nice work.
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This is so clever. I can think of all sorts of tiny changes I'd like to see, but I'll shut up because like I said before, this photograph (and this title) are just SO clever!
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There's a lot to like, that distinctive edging to the road roots the composition and compels our attention, and the shadow of the leading figure is particularly strong. However, the cyclists are just lost against the background shrubbery and ultimately this is where the photograph fails.
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Doug, I'm reticent to say anything negative because you got yourself up that mountain and I'm just sitting in front of a PC!
It's so very close to being sublime, if only the climber were looking out over the scene in either contemplation or in ecstasy, instead of staring down gloomily.
We take our emotional cue from the climber's demeanour, and as the climber looks so flat then it's difficult for us, the viewers, to respond differently.
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