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minh_thai

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Posts posted by minh_thai

  1. I seem to miss something here. Was the photo actually banned? How is the government involved in the woman's job termination here? I think she and her husband may have a case of wrongfull termination in their hands, and some lawyers would love to take up the case. Let's not get over-generalizing here with the anti-war, anti-freedom of speech-violation sentiments. My 2c. M
  2. I like courtney02 and mark02.

     

    Courtney in courtney02 is quite intriguing, mysterious and beautiful at the same time. I'm sure the model looks great in real life...

     

    mark02 captures the concentration, the decisive tenderness in instrument handling. I can almost hear music coming out of the shot.

     

    Great works. M

  3. Since we are talking about models, I'll chime in my 2cents. I believe everyone has a good side, bad side, good angle, bad angle. A photographer that can identify this in the model would like to take better portraits. This young lady has narrow chin. Her head tilts down would only exagerate this. I think it would look a lot better with her head tilting up instead. Same thing with her body: her slim figure looks quite unappealing (I know this is a matter of taste) being at an angle as in the pose. I would have had her standing more square to the frame... Regards, M.
  4. I think a shaper image does not equate a better image. It all depends on what you are trying to convey. Motion blur can be used as a photographic tool, a very uniquely photographic tool at that. In the first picture, the blurred bow hand gives the impression of speed. This works well with the concentration in the violinist's face. The off white color balance provides the intimate, small audience setting. I can see why the teacher loves the picture.

     

    M

  5. Andrew <p>

     

    It is not necessary strickly a business decision to restrict the max aperture. When the aperture is openned up a lot of bad things happens:<br>

    1. Bigger lens elements needed: increased size and weight, also much tougher demand on the glass manufacturing process,<br>

    2. Chromatic aberation increases, look at the Sony 828. CA can be resolved by having a design with a lot of elements, again complexity, quality control, size, weight, and cost,<br>

    3. Geographical distortion increases at close focus range.<p>

     

    I'm sure others will come up with more issues... M

  6. Andrew <p>

     

    It is not necessary strictly a business decision to restrict the max aperture. When the aperture is openned up a lot of bad things happens:<br>

    1. Bigger lens elements needed: increased size and weight, also much tougher demand on the glass manufacturing process,<br>

    2. Chromatic aberation increases, look at the Sony 828. CA can be resolved by having a design with a lot of elements, again complexity, quality control, size, weight, and cost,<br>

    3. Geographical distortion increases at close focus range.<p>

     

    I'm sure others will come up with more issues... M

  7. Unless you do your wedding completely with flash, I think the 28-135 gonna be too slow. I'm not sure how useful the 70-200 is for wedding. Maybe it's good for church, where reach is important. I would invest on the 24-70/2.8 instead. 20mm is really wide and distorted, an acquired taste I guess.<p>

     

    If it was me I would go w/: a digital EOS, 24-70/2.8, EF-550 flashgun, then maybe 70-200/2.8 on the second body.

  8. I shoot slides on the EOS Kiss, EOS 500. It gets the exposure spot on most of the time. It will underexpose backlit subject. In the 'black dog white snow' situation, the constrast of the scene probably exceed the dynamic range of your film anyway. You will have to make the choice of sacrificing the dog or the snow. With slide film I would sacrifice the dog, with print film I would sacrifice the snow. My 2c. M
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