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jim_cain

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Posts posted by jim_cain

  1. Chris--I think it depends on your use. If you are going to get an M8 in the

    future, the 90 macro will be a bit long--120mm. The M8 with a 75 cron will

    come in at 100mm, a more useful focal length. If you think you will stay

    primarily with film, the 90 macro makes a lot of sense. it is relatively small,

    sharp as they come and you have some added ability with the adapter. I note

    your concern about focusing--The 90 macro will be easier to focus with film

    than the 75 cron. I have the 90 macro.

  2. Over the last 2 months.I have been disposing of several $K of gear I don't use.

    The weakest catagory would be barnack cameras, post war. Of course, when

    you are selling something, you check out the ebay market, both current and

    closed. So my observations are a mixture of facts and subjective

    observations They are: Unload unwanted barnack cameras, now--Don't

    CLA any of them, unless you paid "0", you are unlikely to get your money

    back.

  3. I have a recently acquired model, virtually unused.? I am?familiar?with most every other M

    model but not an M6ttl.? Lets say you cock the shutter and then turn the speed dial to

    "off'". Presumably, the light meter is now "off"--and then you press the shutter button--the

    shutter opens and when you release the button, it closes. Obviously the "bulb" setting

    which is adjacent to the "off" setting, is operative.

     

    Is this normal?

  4. After two decades of business flying over Tahiti (well, north of) between Oz and the US,

    we are going there next week. Bora Bora, Moorea and Papeete. I look forward to the

    obvious shots but are you familiar with, lets say, markets, cultural sites, out of the way

    places? I leave with a negative bias toward Papeete. Is this fair? Am stocked up with an

    M3/M7 KC64 and Velvia100 and hope to perfect ambient light metering. Thanks for tips!

  5. It's well known that this lens (which I own) has a very thin depth of field when used wide

    open and at short distances. When used with an M8, it would be an effective 100mm.

    Am I correct in assuming that the depth of field would be even thinner then at 75mm with

    an M7? Ir sound neat to have a 100mm effective lens with f1.4! What are the trade offs?

    Thanks

  6. I hooked up a Metz 34 CS-2 to a IIIf RD, set the shutter speed at 50 and the

    flash went off. Then I noticed the dial below the shutter speed dial that I think

    has something to do with the flash setup. It's marked in increments from 20

    down to 0. Should I just leave it at "0" or what is the best setting? Is the shutter

    speed "50" like an M? Before I put film through it, thought I'd ask.

    Many thanks for your help!

  7. James,

    I check my rangefinder focus on the Stratosphere Tower, 10 miles away SO I

    qualify. A good spot to meet would be the conservatory in the Bellagio Hotel.

    I was down there the other night and the flowers and decorations are

    spectacular. A good place to shoot a roll of asa 200 film, 50 to 100mm lens is

    best. 10am to midday is good lighting. There is a bar close by where we can

    have a bloody mary or beer.

     

    Lets see if anyone else from Las Vegas comes out of the woodwork. Then

    email me later this weekend.

     

    jjcain2 at cox.net

     

    I hope we can get together!

  8. Vuc, You are an excellent photographer--I remember the lady on on a ledge

    with the boots. You also have a good sense of humor--the picture of your

    fridge with the Russian vodka and the film, carefully divided.

     

    Glad to see you back. But shots about who and who is not a slut should not

    be a subject on the Leica Forum. US politics is not a subject either. We are

    here for discuss photography.--There are plenty of sites where we can air

    these non photographic thoughts..

     

    \

  9. Ok I checked the replacement battery I got to replace the one that fell out

    when I opened the bottom. It is an eveready #505, Neda 221--different than

    the one a prior poster indicated but the same price at RS, $6.99. This battery

    is square and is held in place by two long wound paper strips. There is no

    room in this rig for a "capacitator" that many of you mention. I don't have any

    flashbulbs (yet) to test it. My flash is the same as those pictured above.

  10. John,

    I bought one of these last week but am not at home so cannot give the descriptive #'s. Ping me monday PM if you don't get them sooner. They are available at Radio Shack or other battery stores. Do you have the 2 cardboard packing stripes that go alongside the battery when inserted into the container? If not, I can also give you the dimensions. These strips hold the battery firmly on the contacts.

  11. Since responding to this thead, I have taken a 2nd look at the gear involved.

    The flash unit, CYFOO, has a flashlight battery looking case but no easy

    access to whats inside. Remove 3 screws at the bottom and what falls out is a

    strange looking battery enclosed between two pads. It is a "Sunset, dry

    battery,no.505 22.5V made in Japan". At this point, I am inclined to agree

    with Peter A---why am I doing this--But I will check with a couple sources to

    see if this battery is still available. If available I will try and find bulbs..and let

    you know how it goes.

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