cnaan_liphshiz

great framing. adds motion.

This is a mirror image of the original. Wondering of I should have left it as is.

Hague

I dunno what's more disturbing, his expression or the half missing fingernail

Curbs painted red & white mean no parking.

Washing machine of death

Omnivorism in Leidseplein

Perfect framing, perfect moment, perfect tone,

perfect colour scheme. And such an otherwise banal scene. Good show!

Lovely. how the human subject is reduced to a set of Chinese letters.

Nice animation going on there. Your boats act like migrating marine mammals in this shot.

Good show. I have recently thought about trying to use barrel distortion in an 18 mm lens to try and give a false sense of the earth's curvature.

This is a very professional looking exmaple of just that. Gives you a real sense of the spinning, rusting planet of ours.

Gorgeous. Such power. This shot, to me, explains why we find ourselves staring at fire.

First of all, great macro.

Perfect lighting.

The first wilted flower, though,

I would have clipped that,

or photoshoped it away.

Great urban shot. How Orwellian,

and what great drama. Also, flawless technical balance.

I try to never ever shoot pets,

but this is such a lovely twist.

I'd photoshop away the grass sticking out at the bottom of the um... whatchamacallit, Victorian collar thing, but then again it goes to show how ridiculously big the collar is.

I love hoe obscure this image's theme looks at first. Bats? Kelp?

Then you start noticing the tentacles and the tails.

Again, the perfect illusion of movement in a perfectly static mood shot. I shall have to better concern myself with just how you are able to achieve this, a 40 story building effortlessly sailing through the New-York sky like that, but for now I shall only rate this:

7-a 7-o.

The situation of the clouds is just perfect

text-book movement idicator, which is why you (or rather, I) can see expedited cinematic sunsets and sundowns, countless dawns and dusks, in this otherwise non-presuming mood-shot. A jolly good job!

Nothing beats a good old meteorite-size chunk of emerald in your back yard. The whole jewl box concept, which is ideal, to me, for urban shots was taken here to great levels of expertise. It's all perfect in this repect. Chapeau.

Woops. Damn browser.

It's still the best show in town, isn't it, this world of ours. So that's 7 for originality.

And, of course, 7 for aesthetics - no explanation needed.

But why oh why not bigger?

I noticed this flower folliage had the same colour as tail lights,

and tried to work from there.

I adore the idea. This is my favourite of the whole folder.

I like how the model is cradling the bouquet as though it were a baby.

I like this a lot. I would have "used" a different model, though, one with a whiter skin tone (seeing as the model is trying to blend in to the white world and not stand against it). Not that models are going by the pound, of course (I use my unfortunate - and as of lately, alarmingly incooperative - wife).