katharina_wang_schuster
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<P>My husband is a photographer. The following is my personal opinion
only and not intended to be a legal advice. All the cases and law
review article cited below can be found in any law library. For more
discussion on the subject of photography and copyright protection,
see Jennifer T. Olsson, "Rights in Fine Art Photography: Through a
Lens Darkly", 70 Tex. L. Rev. 1489 (1992). </P>
<B><P>Question presented: </B>Can public art be photographed and sold?
</P>
<B><P>Short answer: </B>public art may be photographed unless it
constitute main motif of picture and is used for commercial
purposes.</P>
<B><P>Case in point: </B>Rock & Roll Hall of Fame and Museum,
Inc. v. Gentile Prods., 934 F. Supp. 868 (N.D. Ohio 1996).</P>
<P>Cleveland photographer Chuck Gentile photographed a downtown
museum against a Lake Erie sunset, made it into a poster, entitled
it "THE ROCK AND ROLL HALL OF FAME AND MUSEUM IN CLEVELAND," and
offered it for sale throughout the metropolitan Cleveland area. The
Rock & Roll Hall of Fame and Museum, however, was less than
thrilled. It sued to enjoin all publication and distribution of
Gentile's poster on the grounds that it violated the Museum's
trademark rights in both the building and the name, "ROCK AND ROLL
HALL OF FAME."</P>
<P>Gentile asserted that he did not need the Museum's permission to
sell the posters because the building is in a public place. Sounds
familiar? Well, unfortunately for Gentile, the United Stated District
Court for the Northern District of Ohio disagreed and enjoined
Gentile from selling and distributing his poster. The court found
a "likelihood of confusion" between Gentile's poster and the Museum's
trademark that would cause irreparable damage to the Museum's
licensing program and revenues. </P>
<P>Analysis: Generally, photography of buildings permanently situated
out-of-doors in public place not infringement unless it constitutes
main motif of picture and is used for commercial purposes. Gentile
lost his case because the Museum's building is subject to trademark
protection. This case was decided in the State of Ohio. Though I
haven't found a similar case decided in the State of Washington, it
is my opinion that a court is likely to apply the same standard to
photography of a sculpture that is permanently displayed at a public
place. In other words, if the Troll Sculpture is subject to trademark
protection, it would be infringement to sell photographs of the Troll
Sculpture.</P>
<P>Even if the Troll Sculpture is not subject to trademark
protection, the sculptor would have the right to publicly display his
work under the copyright law. However, if the Troll Sculpture does
not constitute main motif of the overall composition of the
photograph, it is likely, upon finding a "fair use" exception, the
court will find the sculptor's right not being infringed. In this
case, the photographs may be sold commercially because when the
location of the camera and choice of time and season result in an
artistic composition, copyright extends to the <B>overall
composition</B> that results from the photographer's exercise of
judgment, skill, and creativity. </P>
<B><P>Conclusion: </B>IMHO, commercial sale of the photographs of the
Troll Sculptor may infringe on that sculptor's right. What is more,
you have per se notice of the artist's intention, "it would not be
legal for you to sell photos of the troll." It would be prudent,
therefore, to contact the sculptor and obtain a license to sell the
photographs of the Troll Sculpture.</P>
<P>"A century or so ago, Paul Cezanne reached into a fruit basket and
said, 'With this apple, I will astonish Paris.' So he did. He painted
a picture of that apple so magnificent that it takes the breath away.
If he tried that today, he'd probably have the apple growers suing
him for royalties. Sillier things have happened." - - Dan Lynch,
Artist a Loser at the Track, Times Union (Alb.), July 28, 1996, at
B1. </P>
<P>Personal opinion only. </P>
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Legal Question: photography of public art
in Large Format
Posted
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<P>Regarding the Gentile case: The Sixth Circuit court determined in
1999 that the Museum did not establish a strong likelihood of success
on the merits and, therefore, vacated the preliminary injunction, 71
F. Supp. 2d 755 (1999). The Sixth Circuit reached this conclusion
because it determined that on the record before them, plaintiffs
<B>had not used their building design as a trademar</B>k. Gentile's
poster was thus a <B>fair, non-infringing use where the Museum failed
to demonstrate actual confusion and secondary meaning.</B> The court
analyzed the claim purely under federal trademark law. The question
of First Amendment protection is still in debate.</P>
<P>Personal opinion only. </P></BODY>
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