john_d._haughton
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Posts posted by john_d._haughton
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The inevitable has happened and a friend has asked me to do the
photographs for his wedding. As an amatuer who's main photographic
activity is B&W landscape and architecture with a 5x4 field camera,
this does seem like a bit of a misjudgement on my friends part. The
plan is to do the formal shots with the 5x4 camera (58mm, 90mm and
150mm lenses)using 5x4" B&W negs and 6x7cm colour transparency film
in a roll-film back and then use a couple of 35mm manual focus SLRs
for backup and candid shots.
Is this a really stupid idea or has anybody else done this and got
away with it? Any advice?
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Leigh,
(a) The tripod socket thread is "standard" i.e. I assume this is 3/8" the same as all the other cameras I have every used.
(b) The base plate is 57mm wide (parallel to film plane) by 55mm long (lens axis). The tripod socket is centred width wise and is 28 mm from the front of the plate and 27 mm from the rear. The measurements worked out as exact mm so I expect that it was designed in mm.
I hope that helps. Enjoy the camera its quite a good one!
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I processed some 5x4's in a Jobo CPE2 (rotary processor) with a 3-bath + stab. E6 kit. But for the final stabilistaion bath decided not to put the dev tank back on the CPE2 because the instructions said the stabilsation bath should be less than 25 deg C. (CPE2 water bath was at 38 deg C) Unfortunately my reasoning ran out at this point and I didn't roll the dev tank on its side but just left it upright. Consequently the top third of my transparancies have not been stabilised and are lighter than the bottom two thirds with a distinct line between the two regions.
<p>
Will re-running the stabilsation bath correct the fault or am I in danger of damaging the trannies?
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Mr Cad in Croyden (www.mrcad.co.uk) have the cheapest B&W sheet film
(Maco UP100) that I have found so far. Maybe not the best film on the
market, but the low price makes learning from my mistakes not too
painful.
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In short, works well and is easy to use.
<p>
Fits in the hand, with a nice rubber grip. The buttons and control
wheel can all be operated with just one thumb. (May not be quite so
easy for left handers)
<p>
Having one meter that does everything (everything that I need) is
really quite pleasing. I like the freedom to choose how I meter,
incident or reflected depending on the subject and situation, without
the hassle and expense of carrying two meters. I know other meters
have a zoom spot, but I have not felt the need to zoom when spot
metering, selecting the 1 deg or the 5 deg spot is fine by me. Like
most digital devices it has more functions than is strictly
necessary, but most of this extra functionality, Zone mode, physical
unit measurements etc. has to be selected using DIP switches in the
battery compartment, which means that the basic photographic
functions are not cluttered up with these special options.
<p>
Negative points ...
<p>
(1) Wheel control on side is not 100%, misses a click every now and
then, not quite bad enough to send back and seems to be improving
with use, but I would recommend you check this before you buy one.
<p>
(2) Stupid plastic cap for the flash sync socket. Once removed
requires extreme skill and perseverance to reinsert. I suspect it
will not be long before I cut it off.
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(3) Lens cap on view finder pops off too easily. I think I lost mine
within a month.
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Minor points maybe, but a shame when the rest of it has been put
together so well.
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Would have been nice ...
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A meter display in the view finder. The head rotates which makes this
less of a problem. But it would have been nice not to have to move
the light meter to my eye and then away again between each spot
reading.
<p>
But to be honest, it does the job and I don't expect I shall be
upgrading to another light meter for some time to come.
Wedding photography (or how mad am I?)
in Large Format
Posted
Thankyou all for your wise advice, both positive and negative. I actually e-mailed your responses to my friend and he and the bride to be still want me to do the pictures! They insist that for them what is important is to enjoy a day with their friends and family, they do not want the normal photographer dominated production. So it could be OK.
But I have to admit that your advise has caused me to change my approach considerably ... an auto everything 35mm SLR as the main camera, a 35 mm manual SLR as back up and only if the occasion permits will I indulge myself with one or two B&W shots on the 5x4. I also realise my choice of colour film technology was a little bit wide of the mark, high contrast low latitude transparency film would not have been a good idea.
Cheers