alberto.conde
-
Posts
8,496 -
Joined
-
Last visited
Content Type
Profiles
Forums
Blogs
Events
Downloads
Gallery
Store
Image Comments posted by alberto.conde
-
-
Me parece soberbia. No tengo palabras.
Y nunca dejaran de sorprenderme algunos comentarios que siguen poniendo aspectos que no son mas que detalles tecnicos sobre el impacto estetico, sublime, de una foto magnifica. Y es que hay quien sigue sin entender que la fotografia es arte y no artesania.
Lo siento, Imanol. Yo tambien digo, algunas veces -pocas, aunque tu me has enesnyado que es mejor no callarse-, lo que pienso.
-
-
Leo con asombro el comentario de ese seudo-fotógrafo de Oviedo, incapaz de captar la sensibilidad de esta foto y las profundas emociones que transmite para quedarse en si las verticales son verticales o no.
Queda patente la patética incapacidad de algunos para comprender que la fotografía no es técnica, es arte.
-
Y delante de esta foto me quedo extasiado.
Me lleva atrás, muchos años atrás, a mi infancia y juventud, sentado en el muelle y mirando al mar... y, después, años después, ya adulto, en mi primer trabajo, sentado en el muelle esperando a que llegase el barco al que yo debía atender...
Y me lleva a esta fotografía y a las que hacía mi padre, del mar y del muelle y que él revelaba ante mis maravillados ojos.
Su composición es precisa y su foco y elección de diafragma el que se necesita.
Una foto que me llena de respeto hacia tu capacidad y visión fotográfica.
tanto me gusta que me he decidido a escribir tides con lenguaje HTML en este maldito sitio de mierda en el que ni siquiera se han molestado en habilitar cuatro lineas de codigo para permitirnos escribir sin necesidad de ser nosortros los que metamos el codigo HTML. Creo que va a ser la ultima vez. Ya esta bien de someterse a los dictados de los yanquis imperialistas. Que les den!
-
-
You are right, John, it may look amputated but hadn't you pointed it out I wuldn't have noticed. I like it a lot, though
-
Que en su momento me perdiese esta poderosisima foto. Muy buena, Imanoltxu.
-
I like the toning and how you take our eyes to the apse and the cross framed by the window. Your project is not only about romanesque art but, as well, about good photography.
-
I much prefer this pure -actually, almost the purest- B&W image, full of shades of gray, subtle reflections of light, delicate compositional details, all of which lead to the serene emotions that overwhelm the viewer.
No plays with bluish windows at the far end of the image, which are not to my personal liking.
-
I entirely agree with my friend Ricardo Navarro's comment. Discussing technical details in an image like this is nonsense and is ignorant. Photography is not about technical considerations but about capturing light. It is not about quality of focus, sharpness of details, DOF or lens distortions, it is about transmitting emotions to the viewer.
Here you do both. You do capture light and do so beautiful and masterfully. And you do convey a deep emotional message about beliefs, about the misery of humans in perpetual search for a meaning of this brainless destruction of earth and humankind by ourselves, about our need to understand why have we been put on this planet...
I understand. as a consequence, that it is, so far, one of your three most preferred works of art.
Could I, however, ask you a question?
Why two of your three favourites are in B&W when most of your work is in colour?
-
Certainly a place where I should direct myself to as soon as finish with my personal project in Spain... Specially with that interesting tip about the hotel...
I'm surprised, however...
When you photograph castles, you capture the castle within its dominant territory (as you do here) or with all its power and might (as you do with Al Saud's fort) but when you photograph churches you seldom capture the outside architecture and prefer to show us the interiors.
Have this project decission ben based on spiritual considerations... since the building's purpose was primarily spiritual...?
-
An adobe castle, typical of the sand deserts all along the great sandy deserted arch that span, almost non stop, from the Sahara to China's Takla Makan.
I love that light (so very well captured in this beautiful image) which I have enjoyed and endured myself when I lived some hundred miles to the north, in Kuwait. Youre very right, that's how the sky looks like over there.
-
-
Dramática iluminación. Perfectas las altas luces. ?Altas luces en zona VIII?
Este sitio me cabrea y por eso me fui. No poder poner acentos ni nuestros signos de puntuación (y tener que scribirlos en HTML) demuestra hasta que punto algunos yanquis fascisto-bushistas son intolerantes. Espero que el vivir en el centro de Madrid me salve de un bombazo por atreverme a hacer este comentario antiimperialista.
-
Excelente iluminación. ?Estudio o exteriores?
-
-
Gusto do grano e da mirada do rapazinho. Muito boa.
-
Good framing!
-
I always say that the street photographer ought to be discovered more often. The resulting photos are excellent. See it here. Meus melhores parab鮳, Maria manuela.
-
Magnifica, gran foto. Muy bien vista. Enhorabuena, Maria Manuela.
-
Parab鮳 on a wonderful series of portraits.
-
Very good composition, Maria Manuela. Muito boa. Parab鮳.
-
Parab鮳. Great mood and great composition
-
Uma beleza de foto, Maria Manuela.
Sonia
in Portrait
Posted