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olivier_truan

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Posts posted by olivier_truan

  1. This an update of what has been going on so far. I mentioned my problems on the

    Mamiya forum. Mamiya did not respond so far. I also complained to robertwhite.co.uk

    where I bought my camera. They responded within one hour and offered to exchange my

    backs for modified ones free of charge. This process takes 4 - 5 weeks. I am very

    pleased to learn that Robert White is not only the cheapest, but also offers great service. I

    will keep my system and will test the new backs - I'll keep you posted. Thank you all for

    your input!

  2. Todd, the 645e is not a problem, you're right, the buckle is in between frames. Unfortunately Mamiya did change their winning horse, and they exchanged for a bad one. The 645AFD, which is BTW a nornmal camera with both analog and digital back compability, has the buckles right in the middle of the frames. Yes: highly irrespondible. I used the 645AFD for my test. That's it for me, I will either exchange the backs for some modified ones, or exchange the whole setup, for which I spent several thousands of dollars, for a 645 Pro TL.
  3. In the meantime I have made a test with Velvia 120, newspaper on the wall, 80mm at

    f2.8. I shot three shots after a pause of 12 hours. Shots 1 and 3 were perfect. Shot 2 was

    out of focus in the middle: vertical line of about 4mm *very much* out of focus. I can't

    tolerate this and I will sell my rig. I will post a picture with this test later.

  4. Thank you everyone for responding. I will do some tests in the coming week and let you

    know the results. I will try 120 and 220 film. If the problem is really that bad, there is no

    other solution than wasting on shot after the break. I believe it is worth doing that. If we

    accept bracketing with .3 exposure compensation value we might as well trash some pics

    once in a while to be sure the film is flat. Vasily- RE personal standards: IMO it doesn't

    make sense to spend hundreds of dollars for first class lenses if one destroys the quality

    of the lens back there on the film plane.

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