critter
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Posts posted by critter
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Thanks Billy, but I've been here a couple years, I think I'll stick around. Nice.
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Now that I can respond, I will.
First, It's some what annoying to have my question zapped because I
responded to someone dragging the discussion into a tired direction with a bit
of forceful verbage. My point was, stop debating what is or isn't, if you have
nothing informative to contribute, go away.
It's further annoying to have a clear violation of the TOS stand (calling me a
moron - both defamatory and abusive.... Not to mention the "deserves killing"
Texas bit of charm) Sorry the question was so patently offensive. I always
thought this was a place where pragmatic questions, by working
photographers, could be answered.
But it is your living room, and (albiet, a paying one), I'm your guest.
I could give a crap, bowel movement, er... about freedom of speech on this
site. I do find it peculiar that I was so resolutely dealt with. Having logged
many an hour here, and having found it's editorial slant geared towards a
more serious tone, I'm a little suprised that I was dealt with by an
indiscriminate machete. I'm also a little dissapointed that no one bothered to
address me directly.
As for my "crude descriptions of actual acts being performed"...please.
And Bob, what exactly is your issue with me? I wasn't asking the site to
promote pornography. I was asking how people sold images to adult
magazines. Most of what is glamor photography is what people buy at the
news stand. It's annoying to have my comments about (whatever) taken out
of the context and not read (by people a smart as you) for what they were.
I'm a little tired of exactly your response when people discuss marketing
nudes. It's a legitimate question, and again, your living room, but I resent
being lumped in with some photographic version of the raincoat set because I
wanted to get some information from other members on how they sell nudes
to magazines.
My question pertained to news stand sales. You know, that legal stuff that you
buy at 7-11. Why is this so jarring of a concept, let alone the scandolous edge
you seem to be smitten with? And why is this offensive to the site?
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Oh, and can someone please explain which terms of use I violated?
And I believe calling someone a moron is both defamatory and abusive.
But thank you for zapping my legitimate questions. This site is a peach.
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Thank you for your pithy insult. I'm actually reasonably intelligent. I'm a little
confused as to what about the subject line didn't tip you off to NOT
INTENDED FOR CHILDREN. I'm also a little confused as to why you clicked
on a post that obviously triggered your gag reflex.
But thank you for being an upstanding citizen and spamming a post with a
specific set of questions. Lord knows, such graphic descriptions of sex acts
need to be weeded out from every day conversation. That's why God
inventend euphamisms. So much more cooth. I mean, we all know what they
mean, but at least it isn't *gasp* verbalized.
Tickle the ivories, anyone?
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I've had good luck using that scheme eual distant around 45 degrees on
either side of the subject. The more important part is to soften them by
throwing a sheet between the subject and the lights. (I used a rigged PVC
frame.)
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How would you avoid lens flare?
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My main suggestion would be more fill light from the right and investing in a
set of kneepads for Chris:)
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Has anyone ever come up with a scheme using hotlights to emulate the
ringlight flash look?
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Damn, someone beat me to it. The more specific link is http://
www.lightingmagic.com/difpanel.htm<br><br>
reading that inspired me to build a makeshift panel out of pvc and a white
sheet and a smaller wing draped with a black sheet. That and a
doubleheaded quartz worklight were my main lighting rig for a year. Worked
fabulously.
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Absolutely - A white sheet over a PVC frame with halogen worklights was my
main lighting until I bit the bullet on some lowel softboxes. Works like a
charm.
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To quote you: <br><br>"You relly need a minimum of 8 ft between one human
subject and the background in order to fit the lights behind your subject and
still get an even spread of light on the background."<br><br>In general, a
good bit of space behind the subject makes the key and fill lights negligable
(good old inverse square law) allowing independent control of the
background. It also allows for blurring the background using DOF.
Somewhat a standard approach, and like the rule of thirds, a good starting
place. Nothing bogus about it.<br><br>If you keep answering questions wih
questions, you're well on your way towards being a zen master. The pinhead
question you will have to meditate on. <br><br>Oh, and nice shot. Did you
do that in your too small shooting space?
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Zenmaster Hal, are you going to start whacking people with sticks soon? Six
feet is a general rule of thumb to keep the light fall off from showing up on the
background using a fairly standard portrait lighting with the lights high and
angled down. As Hal has pointed out, modify from there...
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Have you looked into Speedtron? Speedtrons the way to go. I own stock in
Speedtron. They're the best. Get some speedtrons. Do it now. NOW...
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Bob,
<BR><BR> Since this discussion started with the idea that this image was
pornographic and shouldn't be here, I'm slightly confused as to why the
debate isn't about what is or isn't pornographic - the entire tone of the
discussion is such that the basic assumption is pornography = offensive and
should be removed. That was what kicked off this discussion. Besides the
mislabeling the image, by the original poster, I think I've adressed why I don't
think pornography is offensive. Strikes me as on topic. <BR><BR>
The who is fairly obvious - those who moderate the site. Again, it's somewhat
annoying to keep harping on the fact of removal. No one questions that. We
are simply arguing the rather shallow definition Chris offered as a standard.
<BR><BR>
And in response to your point # 1, it doesn't follow that not censoring anything
equates to an attitude of nobody is qualified to judge the merit of anything, nor
would it matter. The desire to let ugliness stand in public view is often a more
potent reminder of what is appropriate and lofty in our human pursuits. The
fact of Hitler or racism, unexpunged, is often curative in the early seeds of
similar attitudes. Part of a communities power is in recognizing the face of
evil. I'm not so sure the dualistic concept you offer is the only path. Which is
again, my voice in a community and not any attempt to alter policy. But I do
think it belittles a more critical view that tends towards point 1, to presume it's
a view embracing relativism and chaos. It simply isn't. It's a very simplistic
reduction of the argument that vomit should be censored. And frankly, art (not
photo.net) is often charged with making us face the ugly in life. <BR><BR>
One gripping photograph from the evolution of photography is the vietnam
civilian being caught in the moment of being shot in the head. Not pleasent
in viewing, but then who said knowledge is pleasent. Hell, just watch the
discovery channel. Lambs don't lie down with lions. They become dinner.
<BR><BR>Chris,
Chris,<BR><BR>
I'm familiar with this strange device you call "dictionary". And yet I still
disagree with you. Why, because I don't find your, (or it's) definition to be
accurate. As I've redundantly stated, I don't think a vulva in the context of an
image of a naked woman is explicit. They have them. This isn't a beaver shot.
that's a different debate. And I've seen many a mesh swimsuit shot that is far
more explicit and intent on arousal than the image you decry as
pornographic. I do know what the word means, I simply don't think it's
applicable to the example you used. We disagree. Duh.<BR><BR>
You sound remarkably like someone who wishes pornography swept under
the rug. I take it that you find photo.net to be a loftier place than a mere porn
site, which communicates a basic thought that sexuality expressed in art is
somehow tainted and base. Having nothing else to go on, perhaps my
assumption is wrong, but if it looks like a duck...<BR><BR>
I think the weight of my thoughts convey my education and experience. I'm
certainly uninterested in a bodily excretion contest (How's that, bob?) And I
disagree - Most "highly educated" folks I know both swear and enjoy a pithy
indulgence in common vulgarity when more logical appeals meet deaf ears.
Sometimes, indulging the vernacular is an appropriate response to the vulgar
obscenity of someone compelled to bleed "This is porn, boo" and it carries
more weight in the discourse - to all, excepting those who find such thoughts
informative and civil.<BR><BR>
Hmmm - I didn't realize those were statements of braggado. The first was
simply a statement about my experience drawn from an empirical sample of
women I've known and loved and what I saw as a common element. The
second was hyperbole - exageration for effect meant to Illustrate that we all do
this and to lace that common human experience with a veneer of something
that doesn't adress that is silly, inauthentic and misses the point of artistic,
versus conformist, expression. My point was that intimacy and sexuality are
individually defined and part of what makes good art is recognizing and
focusing on those idiosyncracies, rather than stereotype all of our
experiences by a legal or dictionary definition. One biblical quote has
dogged me my whole life - We all see through a glass darkly. I take that to
heart.<BR><BR>
Thank you for implying I'm a pig. I do like a dirty rutting in the obscene desire
for actual conversation, and yes, I quite enjoy it. So perhaps I am. I'm sure
you meant it as a barb, but then, I like honest, no holds barred expression. I
have a basic faith in knowledge not being scarry and a trust in truth winning
out over fear and neurosis.<BR><BR>
Not sure what damage this image does to photo.net, but I wasn't part of those
previous discussions. I jumped in over your comment, which I found
damaging to my particular photographic pet project - Integrating sexuality into
the image of a person. As I've stated, I found your less than 10 word
comment obnoxiously intrusive into that discussion and I responded with my
own fangs out and thirsty for blood. It strikes me as odd that obnoxious
behavior is supported when it agrees with a more traditional more. But dare
to yell back, why that is just uncouth.<BR><BR>
And in case you haven't noticed, I'd much prefer exchanging ideas than pithy
insults. But until you recognize why your comment was offensive to me, I'll be
happy to lob back and forth more BS that misses the point and engages in
some intellectual version of arm wrestling or a bar fight. I recently had a
rather nice discussion with someone who called an atypical photograph of an
ass (ie, no face included) "lame". In the process of discussing it - heatedly, no
doubt, I got out of it a deeper understanding about why the image resonated
with me and how it merged my conscious ideas with my ever developing eye.
<BR><BR>To me, that's the point of this site. Contentious defense of one's
ideas. The contentious bit is a more refining fire, because, unlike academic
discussion, it forces a more immediate and gutteral response. Pleasentries
have their place, but I've learned more from the all out brawl than the refined
dialogue. Perhaps it's a stylistic thing. <BR><BR>
And again to Bob, <BR><BR>
Prune as you see fit. I will still find it sad that you feel it is necessary. I tend to
find the good, bad and the ugly informative. It strikes me that the role of the
moderator is to not be the parent, but more of the Solomon wisdom that
recognizes the benefit in allowing adults to draw their own conclusions from
sometimes less than pleasent debate, tempered with an eye towards gently
urging the discussion towards a point. But I'm long past needing daddy to
help me distinguish right from wrong, nor do I need protection from offensive
discourse. As I've stated, I'm a great believer in the truth will win out.
Sometimes that struggle towards it is unpleasent, Sometimes some vomit
gets on your shoes. And as one who is concerned with the responsibility to
moderate the fray, I hope you err on the side of wisdom rather than caution.
Often the most passionate arguments are the most informative, despite the
bursts of ugliness. At least, that's my experience. And at the end of the day,
when the dust settles, the intellectual sparring forms a seed of respect that
woldn't exist outside of the engagement.
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Chris,<BR><BR>
Whether or not this is an intelligent debate is not completely in my hands. But
please - I don't think I misrepresented your opinions at all. I won't indulge the
semantics of comments versus critiques, but to me, your "simply pornographic
- this doesn't belong here" is rude and certainly violates the spirit of a site
geared towards people improving their photography. As I said, It's essentially
a Boo and I find that disrespectful to the artist. Had you made your initial Boo
as a forum post (a place to discuss ideas about art vs pornography) instead of
as a comment on the picture, you would have avoided a great deal of my ire.
<BR><BR>To quote you <I>Art tries to reveal something about the human
condition, teach us, challenge our assumptions, make us think or appeals to
the brain due to its geometry, color, texture, etc. The image fits none of my art
criteria.
<BR><BR>
Porn is sexually explicit pictures, writing, or other material whose primary
purpose is to cause sexual arousal. The image does meet the porn criteria
due to the explicit nature of the photo, the bed in the background, the
subject�s breast implants and her shaved public area. Any of these things by
itself would not make an image pornographic. However, in combination they
convince me that the photographer�s primary goal was to cause sexual
arousal in the viewer.</I><BR><BR>
I believe I've already adressed why I found this silly but let me be more
specific. By your "criteria" of "primary purpose is to cause arousal" a swimsuit
calendar is pornographic. <BR><BR>I also object to your catagorizing a
view of genitalia in the context of a shot of a person as explicit. Nothing about
the shot focused on the genitalia. It is simply there, well, because that's what
naked people look like. And I found futher ridiculous the assertion that the
presence of implants and a shaved pubic (although nice freudian slip) area
somehow are significant "tells" for why this is pornographic. Women modify
their bodies - they pluck eyebrows, use makeup and shave their legs. Some
do, some don't. Exactly how is that more suggestive? My guess is that the
subject of the photo finds her particular modifications aesthetically pleasing.
<BR><BR>So sorry, your keen eye for sniffing out pornographic intent fails to
live up to the scrutiny of your own definition. But let's go further - let's
examine where the picture meets your criterion for art.<BR><BR>I agree the
composition is lacking, but the use of light is nice. The shadows play well
across the skin and the curves. It's an appealing use of light to convey
geometry and texture. Regarding art's attempt to reveal something about the
human condition and challenge our assumptions, this discussion seems to
indicate that the image was sucessful on some small level. Perhaps one of
the photographers intentions was to challenge the very notion that a vulva is
not inherently obscene. Perhaps he was trying to bridge a cultural gap that
focuses on either woman as a person, devoid of sexuality or as a sexual
object, devoid of person. I can certainly say that for me, one of the goals I
shoot nudes with is to try and show the integration of person and their
physicality. Sort of my answer to the ancient dualistic discussion of mind
versus body.<BR><BR>
For some of us, that is the point of shooting nudes - our little jump in the
stream of human thought that drives a wedge between a persons body and
their soul. For some of us, they are inseperable and the perpetuation of that
notion does violence to us as humans. There is a pretentious idea that art
reduces a body (and person) to mere geometry and anything that smacks of
sexuality must be swept under the rug and labeled pornographic. It strikes
me, that although this image fails in many ways aesthetically, it does succeed
in challenging that bias.<BR><BR>
Perhaps you, as a viewer, failed. Made a snap judgement and then offered
up a really shallow definition for why your snap judgement is correct. .<BR><
BR>And finally, I don't need accepted references in order to think. I defend
my position based on my education and experience. I could care less what a
book says. It's called critical thought.<BR><BR>Oh, and crudeness is a social
construct that shifts with time and context. Most attempts at refinement of
dialogue I find simply evasive and arrogant. I'm not sure where I implied
anything about my sexual prowess, but your last line is just pathetic and
completely misses the point of the two hours I've spent discussing this. Your
adolescence is showing...
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Bob,<BR><BR>
Sorry you were offended. They're just words and last I checked, all in my
dictionary. Perhaps you are used to an expunged version.<BR><BR>
I believe I was adressing photography and art in general and the inane
conclusion Mr. Hawkins drew about the photo that triggered this discussion.
The presence of a vulva in an image, let alone the absurdity of the surgical
status of breasts determining the pornographic nature of an image, caused
me great ire. He failed to make his case, based on his own nebulous
criteria.<BR><BR>
Photography and art involve an often uncomfortable examination and
expression about the life we find ourselves in. Part of my larger point was
that often what postures as a higher aesthetic is often just a ritualized civility
that fails at what it is attempting - expressing the mystery and magic of our
experience. Art and photography are an evolving dialogue. And truly great
art (and photography as a subset with an emphasis on craft) often challenges
our immediate suppositions. Commentary that inspires growth. Truly bad art
is derivative and doesn't move us forward. It's just gladhandling and playing
within the rules. Yawn.<BR><BR>
If Mr Hawkins had simply stated the photograph was a boring nude, I would
have agreed. But he didn't. He sought to invalidate the photographers effort
by applying a rather stupid moral argument. Frankly, to me, his observation
was innappropriate to a civilized discussion. And I answered him in kind. He
offered no information on how he'd improve it, or what he felt was lacking. He
just said boo and then referenced this forum discussion as proof. (I came
here from the photograph itself.) To me, that is an inappropriate response to
an image, especially one posturing as a critique. As I said, we probably won't
have much common ground on this.<BR><BR>
As to what I do in the bedroom, that is a part of my experience and seems
utterly appropriate as support for my argument in a discussion about
photography and art. It is, afterall, the empirical data upon which my more
abstract and philosophical notions are formed.<BR><BR>
Photo.net has every right to censor images as they see fit. This is a private
community. Aside from bemoaning briefly what I see as an unfortunate
attitude from an administrator, I most certainly didn't challenge that right. My
post had nothing to do with an argument about what photo.net will or won't
allow. It was adressing a notion in photographic categorization that I thought
was erroneous and explaining the larger reason I found the assertion patently
absurd. You know, ideas about photography and art.<BR><BR>
So thank you for the shopping tips, (I'm covered in both) but I wasn't
discussing what this web site will allow. If I objected to a specific shift in
policies of posting, I would simply, (and regretably - as I've enjoyed
participating here for quite some time) leave. So , please, spare me the
lecture over the rights of a private site to dictate standards. <BR><BR>Until
the time my voice is unwelcomed here, I will continue to express my opinion
as I honestly see it. It may be percieved as obnoxious by some, but then I
posted because I found someone else obnoxious in their opinion. It strikes
me that challenging another's opinion, you disagree with, is the point of a
forum. Perhaps I'm mistaken.
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Wow - this discussion just saddens me. People who should know better just
towing some party line that dismisses a huge chunk of what it is to be human -
our sexuality - as somehow an invalid enterprise for artistic discussion,
because, gasp, it might be seen as pornographic.
And this was triggered by a nude shot that "ooooo" shocking, was boring in
it's attempt to conform to "fine art nudity" and violated the rules of the game
because it mistakenly showed a shaved genetalia. I hate the "fine art"
aesthetic that feels no compunction with violently lopping of the heads of the
nudes portrayed and blathering on about shape and texture. But be so bold
as to photograph eyes and genitals in the same image (and sorry, most
women I know shave, without my proclamation on whether I approve) and
suddenly there is turmoil over it's appropriateness as an image worthy of a
presence here????? Is this not the same stupidity of Elizabethian morality
that objectified woman as an object put on a pedastal to protect them from the
reality of the world (and their own Hysteria (gotta laugh - it inspired the
vibrator as medical cure for restlessness))?<BR><BR>
The women I know fart, burp and get horny. It has everything to do with who
they are. The violence of pornography is it's reducing the individual to a
cliche. Having read this whole thread, most reponses are just as obscenely
reductionist. Isn't part of art the honest challenge it offers to our
suppositions?<BR><BR>
A lot of people mistake critique with judgement. But the point of critique is to
engage the image and respond. Not decide whether it's worthy of
discussion.<BR><BR>
This reminds me of the protective BS I grew up with. The lack of faith in the
individual to encounter something and process it. At all cost's, divert the
discussion towards the proper conclusion. What tripe. Knowledge is power
and how dare anyone presume to place their opinion over the interaction of
honest indulgence that informs most sweetly?<BR><BR>
I've been a participant here for many moons. I've enjoyed a lot of heated
debate. But the current parental tone of what is worthy for me to appropriately
consider is obnoxious. I have no problem with discussing why I don't find this
image pornographic (not to mention the concept of pornography vs art), but
the suggestion that the discussion is invalid is just sad.
Some more particular responses:
Brian - Didn't I once give you advice on rope bondage? Since when is purient
interest in conflict with art or the impulse to comment on life?
Sandy - No desire to critique your parenting, but I will reveal a bit of my
growing up. The image you skip is precisely the one your son will seek out.
Taboo is ultimately a reverse psychology intrigue. It strikes me that a
discussion about the image is more productive than skipping it and leaving it
to his own imagining and confusion. Most obnoxious male attitudes towards
women are long on informed by porn and short on any understanding of
woman as people who jill themselves off on occasion, but aren't reduced to it.
Bob - not sure we could find much common ground, but what I liked about
photo.net was the maturity that requested a (nude) demarcation by the site to
allow people to avoid it as a topic if desired. As the resident flaming perv, I
have no problem with a checkbox. Believe it or not, the discussion of
whether the erotic is valid art is fairly boring for those who assume it. It gets
particularly annoying when the discussion always flounders at such a basic
point, rather than discuss the nuance of it. Not all of us are cut out for
activism. We're just jealous that bitching about a banal flower shot doesn't
cause such a stir of controversy by those uninvested in taking a good one,
simply because they feel the need to be outraged.
Chris - Since when does a visible labia equal porn? That's such an
adolescent assumption. Having lived with many women, labia takes on a
variety of shades. Sometimes it's a hunkering down bit of yum. Sometimes
it's a bloody mess. Sometimes it's awash with a rather unerotic discharge.
<BR><BR>So where in all of this, is the pornographic? My girlfriend has a
particular soft spot for clinical, rather base pornography. It gets her off. <BR><
BR>
Remind me again why this is a less valid exploration of humanity than your
(frankly) pedantic view of what is acceptable art? How, again, am I
supposedly being inauthentic by demonstrating faith in knowledge exposed?
And how is her experience obscene, while your teenage romantic notion of
arousal is somehow sophisticated and refined (despite it's uncourageous
urge to avoid)?
<BR><BR>Oh, yes, yes, I know - My aesthetic is mingled with my hand on my
dick. Because we all know that arousal is an evil indulgence, certainly not
common experience and most definitely not the stuff of elevated art. Why the
hell would we want to discuss something so lizard like. We are refined -
breasts are shapes and plays of light. Never mind that they are connected to
a person who thrills in the fondle. That would be just base. And certainly
unworthy of artistic investigation.<BR><BR>
I'll reiterate - Grow the fuck up.<BR><BR>
Mark - thank you for bringing rationality to this discussion, Despite the
unpopularity of your voice.<BR><BR>
To summarize, a lot of you dance around the idea that an image taken as
purient by some is still valid as art. I challenge the notion of Mr. Hawkins.
Pornography - ie - that which is intent on arousal is a valid image. Arousal is
a huge component of what it is to be human. Rather than dapple on the
fringe and the absurdity of the reasons Mr. Hawkins found the particular
image pornographic (which are just silly and demonstrate a wierd sense of
the tawdry - Please - had her breasts been real and she had an unshaved
bush, we apparently wouldn't have violated the 4 point pornography and
presumably, wouldn't be having this discussion. Not.) Perhaps the
discussion is better focused on why or how arousal as a photographic goal is
or isn't a valid photographic exploration.<BR><BR>
Just a suggestion. Far be it from me to interupt the handwringing over
whether artificial tits and a glimpsed, shaved vulva are pornographic. But
please, can we actually discuss something that isn't merely a rehash of the
same silly argument that worms it's way into any revealing of naked bodies?
Am I the only one who fucks and adjusts technique based on the individual?
Am I so odd that a chunk of my time is concerned with the unspoken dialogue
of bodies and sex and thrilling???
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Thank you...
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One of the elegant bits of this sight was the ability to click on
those marked interesting and see their latest comments.
Unfortunately, that sorting priority dissappeared many moons
ago, necessitating a click on their picture and then clicking their
name to get the reverse sort order of their comments. This has
been the main reason I don't linger her as much. <BR><BR>
Please reverse the sort order<BR> It makes no sense to mark
someone as interesting and be able to instantly call up their
latest photo submissions while needing to click around in order
to see their latests comments. The entire idea of marking
interest is to provide a quick link to someones latest
contributions. Amoung the many different angles that made
this site great, that was a crucial one - and one I've mourned
since it dissappeared many months ago.
<BR><BR>While I realize I can click upon the summary total link
and follow along, Every time I do, it's an anguishing scrolling
task exacerbated by the number of comments. Before, I was
able to click on a name and see their latest responses. It
makes no sense to continually see the same 5 first comments
here when I click on a "favorite" it strikes me as an utterly
unusefull change in the sorting order.
<BR><BR>And I know it seems a bit trite, but it was what made
me linger here and what made me lose interest. And it's such
an easy correction
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It looks fine - a nice gamut of greys and the gun barrels are black
. If anything, it's a tad bright, (but I use a mac, and our gammas
are a bit different (assuming your PC)).
slave flash placement for portraits
in Lighting Equipment
Posted
Crank the AC and go back to hotlights. Diffusion is your friend. Try different setups
to gain a feel for it. Vary the angle of your key light, figure out what you like as fill
and then work on seperating from the background with a hairlight. Once you figure
out what works for your taste, you should be able to translate it to flash with
confidence.