JEM5

I've now received the ZV-E10 and so far it works great for my needs after the adjustments I've made to my studio space. Thanks again for the help!

Mike, thank you so much for the in-depth reply and for the calculation. I've played around with the calculator and tried out some different options. Based on it I've actually done some redecoration in the room used as a studio space, involving moving a rather large bookshelf, meaning that I would get a little more of the needed distance to the camera. So with this new setup I believe it should work with the ZV-E10 even though it has crop and I've decided to purchase it to try it out. Thanks once again for the help, I appreciate it.

Hi,I'm in the process of setting up a small studio for filming youtube videos and have found a good black friday deal for the Sony ZV-E10 camera with the 16-50mm lens, so I'm considering purchasing it. I currently have a Gopro hero 11 black, which I'm using for filming outdoors. I've understood that the ZV-E10 would provide a better image quality when filming indoors because of its larger sensor, but I would often film me doing yoga - sometimes standing on my head - so I'm wondering if the ZV-E10 standing on a tripod only 100-150 centimeters away from me and with nothing but the kit lens "16-50mm f3.5-5.6" would capture my whole body in the frame (without turning the camera vertically)?Thanks for all the help!Best regards, Jonas

Thanks, I'll look into using the color balance tools. I'm also thinking about experimenting with a green chromakey background and editing in the white later in a video editing software. My intention is actually to have the subject sitting on the background itself and creating the impression of floating around in something like an abstract space of whiteness all around.

Yes I will be lighting the background separately from the subject. I have three GVM 1500d led lights and will use either one, or two of them, to light the background. I will try to have some distance between subject and background, though my studio will be rather small so I might not be able to get that much of a distance. My plan is to have the subject (usually myself) actually sitting on the white background and will try to light it in a way that makes it seem as if I'm floating in an abstract space of whiteness. It's good to hear that Savage Super White has been quite consistent, hopefully the Super White from Colorama would be as well (Savage Super White is not available to purchase where I live).

Hello,I'm currently setting up my first small studio for filming and aims for a seamless paper background that is as white as possible. I'm choosing between a Super White paper background from Colorama and a Arctic White paper background also from Colorama (both backgrounds available locally where I live, and I will have a GVM 1500d light shining directly at the background to make the white background brighter). I'm leaning toward the Super White background, but I'm a little worried that it will be a little too white and will reflect some of the white back on the subject and outshine the contours of the face (I guess I'm not that interested in High Key if I understand the term correctly, as I want some contrast on the subject's face, though still with as white background as possible.) On the other hand, I've read that Arctic White could be a little blue and in some cases reflect back a slightly blue tinge on the subject.Based on your expertise, what do you think would suit my setup best, Super White or Arctic White?Thanks in advance for the help!/Jonas