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© Copyright 2008, John Crosley, All Rights Reserved

Yevgenia ---Bikini Contest Winner (of sorts)


johncrosley

Nikon D200, Nikkor 80-200 f 2.8 desaturated in Photoshop CS3 black and white filter. Full frame

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© Copyright 2008, John Crosley, All Rights Reserved

From the category:

Portrait

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This is Yevgenia, one of the top winners of Miss Bikini Ukraine contest

shortly after this photo was taken (or a contest of like name). Tall, at

180 cm -- 5'11", her long limbs are used to advantage by special

placement of her arms in this photo. Your ratings and critiques are

invited and most welcome. If you rate harshly or very critically, please

submit a helpful and constructive comment; please share your superior

photographic knowledge to help improve my photography. Thanks!

Enjoy! John

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For all its appearances, this photo has had NO special treatments in Photoshop or any other image editing program, or any particular lighting 'tricks' to make it appear 'soft' at the edges other than using a very long lens and very selective focus with studio lights (monolights -- portable Novotrons, which I keep in a set and which work on 220 as well as 110-120 -- if one changes modeling lights, of course).

 

I know it appears 'soft' in some respects, but it was taken with a very contrasty lens -- an 80~200 f 2.8 lens, a tack-sharp lens -- a legend of Nikon manufacturer which is famous in its own right.

 

This tall, almost 'forward' appearing woman, somehow got 'warm and fuzzy' in front of my camera, while topless and wrapped her very, very long arms around her bodice, and stared directly into the camera. Focus was on her eyes,

 

'High Key' lighting was achieved in Photoshop with the jpeg version after desaturating, after it was determined that her skin tones were too splotchy to present as a color photo, although they were very nice -- because of some 'mixed lighting' from the monolights and window lighting as well as 'low lighting' from the monolights chosen so I could use a very wide open lens on the tele zoom.

 

Background, right, is just wallpaper -- no seamless paper available -- but the paper is isolated by being completely out-of-focus, and not of contrasting color at all -- this being a black and white shot.

 

John (Crosley)

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Firstly I am a little confused, in your first paragraph you state there was NO photoshop done on the image, then in your next paragraph you state that you desaturated etc etc in photoshop?

 

Anyway, I don't think you have isolated the background as well as you think. Because of the overly bright lighting to camera right you have blown some highlights in her hair which has made her hair merge with the background due to the similar tones.

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There was no 'manipulation' of this photo as manipulation is defined in the rules, which means 'selections' and work on selections. It does not mean no work in Photoshop and anything I might have stated to the contrary should be disregarded. It means there has been no 'manipulation to this image. Desaturation in Photoshop or other image editing program is not considered 'Photoshop' work, by the way.

 

As for the foreground blending with the background, that is entirely intentional, yet if you saw the final, there is nothing 'blown' on it at all. There is information throughout the entire capture. It was artistic intent to keep the hair and the background merged to 'focus' attention on the face.

 

Thanks for lettine me know your viewpoint.

 

John (Crosley)

 

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It is a portrait technique NOT to shoot with great sharpness -- great stars often were shot through gauze which accounts for that 'dreamy' look of great softness in the portraits of many aging female movie idols as they sought to keep their audiences.

 

Softness or sharpness is an artistic choice; here my choice was to go for softness, but not through Photoshop, but simply to use a wide aperture and focus on the eyes so they'd 'anchor' the whole photo.

 

Thanks for the other compliments.

 

And for taking the time to write them here and for letting me know your opinions.

 

John (Crosley)

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I posted this one in various representational poses, and very few going for a more 'artistic' look, but this is the standout.

I suppose the eyes is a matter of artistic taste; I'd probably make them sharper now that I have the skills to sharpen them more and the plug-ins, but that was then.

Now is now.

I range all over the place.

I'm about to post one that is VERY sharp -- taken with a 'kit' lens if you can believe it (a man, not a nude).

Thanks for the comment.

john

John (Crosley)

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