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Portrait

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You make this one look very easy. It seems to roll off the tongue. It's got both a simplicity and actually an elegance. I think the formality of the trees plays with his more casual attitude in a compelling way. He crosses his lower legs almost in echo to the way the trees intertwine. I suppose the "convict" reference comes in response to at least what I feel is a sense of aloofness on his part. Kind of an "I am here, take my picture" attitude, nothing more and nothing less than just what it seems. I sense there's a lot revealed here, not a whole lot of hiding. It's up front.
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