pnital 36 Posted June 29, 2008 I like the way you cropped it and placed it in the frame Carlos, Interesting construction ,as all that series.Good light and B/W. Link to comment
John Peri 1,033 Posted June 29, 2008 Of course, an amazing composition again, as we have learned to expect, but also a remarkable play of light and shadow. Greys are so hard to photograph in their infinite diversity. The mystical charm of this place of worship is strrongly enhanced in this image. Link to comment
sideris 0 Posted June 29, 2008 Thank you for your encouraging comments my friends. Pnina, it isn't cropped, it is a full frame. Link to comment
pnital 36 Posted June 29, 2008 Cropped I mean from the full size construction ,Carlos, not cropped from the full frame...;-)) Link to comment
sideris 0 Posted June 29, 2008 I'm quite ashamed Pnina. Please, forgive my lack of understanding. Link to comment
jbidarra 0 Posted June 29, 2008 Very good composition, and very well exposed. Regards. Link to comment
Guest Guest Posted June 30, 2008 I believe Pnina is talking about your framing and composition of the church itself, your isolating this portion of the church with your lens. We tend to use "crop" two ways. One is that we "crop" with our lens, meaning we choose a portion of the landscape or building before us to photograph (probably more clear to say "frame" in this regard, but many people do use the word "crop") and we may also "crop" the photo once it's taken. Pnina seems to mean that you've cropped well with your eye. I like this one for many of the reasons stated in addition to which I like the depth created especially by the distant bell tower. Most important is the evocation of feeling because you so obviously respect and honor this building. Link to comment
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