maria 7 Posted June 6, 2007 This museum (1891-1896) is a picturesque building with the high, tent-like roof out of coloured, emailed tiles. Akos Moravansky writes that the oriental art was not totally foreign to the Danube monarchy, since the walls of the Majolica house of Otto Wagner have the same carpet-like decoration, even if the transfer was maybe made possible through the study of Mediteranean cultures (the Doge palace in Venice is decorated similarly). The forms language at Lechner is not unitary: the interior of the hall has indian, venetian and French renaissance reminiscences. But the cornerstones of the characteristics of Lechner's style are given: the composition with a middle resalit, the polychrome threatment of the wall and especially of the roof surfaces, the total dissolution of the classical cornice. Akos Moravanszky notes that in the ground floor solution Lechner remains conservative. What makes the space complex an experience place it the richness in decoration and the connections and views through the spaces. Link to comment
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