A bridge in Himalaya mountain.

Thanks for your time.

I think this photo is all wrong, it could have been well taken if the subject of your attention were the people at the end, rather than the crooked steel bars in the foreground.

 

This would give more of a message to people viewing the photo.

 

Photos talk, they usually says things like: Look at the lighting, look at the colors, look at how orderly i am.. etc.

 

This photo is not talking to me.. understand?

Thanks for your time.

Al contrario a mi me parece una maravilla de perspectiva y de profundidad. El tono sepia tambien le anyade en lo que viejo y decaido que esta y al mismo tiempo se aguanta y contnua a cargar gente de una parte a otra especialmente en una area tan remota (No se si esa es la palabra correcta).

La imagen nos transmite claramente que el puente es lo principal y lo que sobrevive en ese mundo tan fuerte y duro. Me gusta mucho como has logrado poner los clvos/anclas de acero al frente que para mi son tan representantes de lo que la imagen transmite.

 

Me encanta.

It's a real pity that the gentleman commenting this photo in the first place, instead of asking himself what was the message the photographer wanted to convey opted, selfishly, to listen to himself only and to view it thru his own eyes.

The problem, as it usually happens when looking at other people's works of art, is that the artist was not him but someone else with different views and approaches.

Is it so hard to make the intelectual effort to try to understand others?

Might it be possible that Ms. Población's intention in this great (to MHO) image was to underline the fact that life in those countries cannot be taken for granted since it relay on the endurance of such fragile elements as those feeble elements and, because of that presumed intention by the artist, that is why she -the artist- decided to focus her lens there and not where you - following your more predictable, prudent and dull vision of photography - would have done?

One of the reasons why I like this image is because it breaks the rules. Another is because my eyes have been caught immediately by its force. And a third is because it has forced me to think trying to rationalize why a superior artist as Ms. Población has decided to focus where most wouldn't.

Let me tell you, humbly, that one of the great things about art is that it forces you to get out of your meek self and raise to heights where your poor life don't allow you, usually, to soar.

My advice to you, as a consequence, is to jump on the free ride offered by the excellent work of Ms. Población's and let your soul reach altitudes it may not be used to.

Definitivamente, el encuadre es lo que hace a esta foto tan extra-ordinaria. Todos hemos visto gente cruzando puentes, pero quien se detiene a "ver" el puente? Una capacidad de observacion, que como vemos, no todos tenemos.

Muy buena Curri�a, y me gusta mucho el DOF que has escogido enfocando los remaches y dejando a los paseantes desenfocados.

Precisamente el DOF hace esta foto diferente...hay gustos para todo ;)

This image reminds me of the many suspension bridges in Nepal... some of them, quite dangerous to cross... but you have to trust your luck, and the local engineers...This is what this photo is about, not the people walking on it.

 

Very well seen!

A mi me parece una foto original y muy bien vista. A veces un detalle aislado dice mucho mas que toda una panoramica. Ademas el Dof que tiene es muy bueno. El tono se lo hubiera dado un poco menos amarillo y mas sepia.

De acuerdo con Marco. Claude Morcos tendria razon si hubieses querido hacer otra foto.

Los personajes desenfocados del fondo precisamente aportan una mayor sensacion de profundidad al puente.

Me encanta el color que como bien dice Marco a�ade antiguedad al puente de por si antiguo.

This is very nice and interesting. The tone is great and, to me, you succeeded in choosing such DOF. Kisses!