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paula grenside

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Abstract

· 100,871 images
  • 100,871 images
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Very creative and unusual, which would be usual for you. 8-)#

I find that the eye on the left is not following the line of vision with the eye on the right. Is this by design on your part? It makes me think of a lizard, that can look in two directions at the same time.

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Hi Shawn, on the eyes I applied a light filter to make them a bit ghostly . I saw the different direction but kept it. Agree there is a certain lizard(ness). Thank you
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i keep enjoying your composites, paula. well thought out and executed.
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Nice creation again.The tender hand holding herself?I like the eyes expression.

 

I looked into Your book.Your pictures going so well with the poetry, my compliments !!!

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Alec, Klaus, Alix, than you so much for your understanding of my strangest creations:-)

 

Alix, glad you saw the book. Thank you again.

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Paula, when I look at your images I just wonder at the thought process and creativity that goes behind it. Goes so well with the title. As usual it is extremely surreal, like a freudian dream analysis :-) Aesthetically, the mask is not smoothly blending with the tonality of the hands. I see that you do want it to stand out but I feel like you could change the appearance/mode of the mask layer (screen, overlay etc.) to make it blend in a little more, I wonder if am not being very clear :-)
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Your imagination is soaring to dizzy heights and your ps skills improving day by day,Paula. Amazing rendition.
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Cherlyn, thank you so much.

 

C TR, thanks for your comments. I see what you mean; the idea was to convey the impression the mask is slipping off. In this case, too, though, it can be improved.

 

Kim, Amal, thanks lots for adding your comments to this.

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Paula, I echo CTR, I think it has to blend more with the hand, be more "organic" part of it. I like the hand on the BG.and your ideas.
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A fine surreal shot. I think the merging of the mask and the hand might have more to do with adding a little shading where the fingers grip the mask - just a little to indicate where metal and flesh come into contact.
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