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Boy, if this doesn't take your mind away from the snow nothing will. The colors are gorgeous, did you use a grad ND?

 

I think there are a variety of cropping choices one would have made with this scene. One preference I have is a horizontal one, that would emphasize the silhouette of the person in the upper right which gets a bit lost in this vertical. But that is a nitpick for such a fine image. The only really intrusive element is the outcropping of rock in the upper right corner. I think the picture exhibits a measurable improvement when it is eliminated.

 

But like a good wine, a picture this nice should just be enjoyed rather than debated over endlessly. Thanks for sharing!

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From the foreground to the great sky this photo is a winner in every way. If I were to nitpick the rock at the right upper corner is a bit distracting but cropping it out would put the fisherman in a poor position.
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Jake, this is a gorgeous image from the foreground to the background. Everything about this photo is perfect. Where is this place?
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My friend whata nice way of critique n appriciation of image. I must say u also have good eye to evaluate the image. I am impressed.

 

Fully agree with u. haven't check how u rate it but i m gona rate this 7/7.

 

Thanks n Regards

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Jake, I don't know whether you are after a real critique or ego stroking. I will assume the former. This shot is a very good example of impossible light which seems to be about as popular as oversaturated colour. I like this shot a lot but not the fact that I see light that I don't think was there. How would rocks glow when the sun is behind a cloud? I would prefer to see a toned down, plausible image.

 

If you don't want to hear this, I'll happily delete the comment and leave you in peace.

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I second Jeff's opinion here, although it is obviously a beautiful image.

I'd like to know something - why is it that almost every shore scene with a heavy grad filter, giving unrealistic lighting effects, is drooled over on this site?

Hope no offence taken - none meant!

Hugo
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Definately the former Jeff, ego stroking does little to improve my images. And no offence taken Hugo, although it did seem like a complaint/grievance which probably shouldn't be voiced as a 'critique'. I'm totally new to grads and while it may have been over used there is no other way to hold back the sun, although I do think a reverse grad would have been more effective. As for the impossible light, it's there, just exaggerated because of 4 stops of grad and levels adjustment/raw conversion. Attached is an unadjusted RAW conversion, with camera parameters set to 100% neutral (they don't effect a RAW file but do set a starting point for convertors like RSE). Off topic (the sample is purely to show where the light is hitting) the image is underexposed on purpose, just the way I prefer to do things when shooting RAW. I really appreciate your honest opinion Jeff and I agree that I should have left the foreground a bit darker. Never hold back, I've got to learn somehow. Regards, Jake.

3120489.jpg
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Wonderful composition, timing and light Jake, particularly if this is after only 1 year of shooting. Although I agree the dark rock at the top is a minor distraction, I think trying to crop it out makes an alrady long format into an uncomfortably narrow shot, and cropping at the bottom to compensate loses that lovely foreground. You've done a great job preserving detail through most of the shot, although I might concur that the upper half could be 0.5-1 stop brighter for a slightly more natural balance. The adjustments you have made are to me not as unbelievable as alluded to in some of the above comments (and I've spent a bit of time along coasts). Keep up the great work.
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Okay, I'm probably the person with the least amount of experience posting a comment so you can take this with a grain of salt but here is my opinion. I think this photo is excellent. Who cares of about the techinical aspects of it or if it looks realistic or unrealistic. It's fabulous. So what's wrong with enhancing it a little. If it makes for a more interesting and pleasing image, then why fuss about digital alterations. This is a new era with new tools, new possibilities. I personally love this photo. One question I do have is the fisherman real or added? Doesn't matter to me but just curious.
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My philosophy in general is that I am not interested in recreating the scene, I am interested in creating an amotional imprint. So the recreation of the exact colors is moot for me. As a record of a scene, one's memory fades over time and the details are lost. What persists is the emotional residuals and ultimately that is my objective.

 

I would agree that grad NDs are a tad cliche but cliche or not, the results matter and I think that this is quite well done.

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Great title and subtle detail to an otherwise (just) good photo :) At first I couldn't understand the title. I had to 'fish' for the fisherman, but once I found him, it made all the difference. Nicely done, Jake!

Best regards from Kenya,

Mark Anthony Kathurima

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I?m just a hack at photography so far so I?ll add my philosophical opinions based on being an accomplished musical artist. Personally I think the line between accurately representing a scene in photography and creating an artistic image, are defined best by the context required of the piece; which in a forum, is vague at best. Is this intended as a natural representation of the scene or an indulgence into creative licence?.

As creative licence I?m with Richard Dong, Jake?s image took me somewhere, as a natural representation I?d also be poking and pondering upon its purity, but that would be a whole lot less fun than becoming lost in this pictures emotive properties.

I?ve enjoyed this image and contemplating the variance of opinions posted in relation to it.

 

 

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