Jump to content
© Copyright, Dave Barstow Photography

"Ritual Vision" - A smoke photo. (Comp.)


dabar

Incense smoke, lit with multi-colored light from below. Background added with Paint Shop Pro 9.

Copyright

© Copyright, Dave Barstow Photography

From the category:

Abstract

· 100,881 images
  • 100,881 images
  • 384,667 image comments


Recommended Comments

Incense smoke, lit with multi-colored light from below. Background

added with Paint Shop Pro 9.

Link to comment
I see you dedicated yhis photo so much time, I mean, at the moment to capture and then, when you worked in Photoshop
Link to comment
Fabulous work here...adding the background must have been difficult, given that smoke is transparent to begin with. Did you use photo filters for coloring smoke??
Link to comment
I love your smoke photos, and to be honest I prefered the ones with a plain white background. I think the focus is the smoke, so the less distractions the better.
Link to comment

Please see my Smoke as Art folder. You will find an "image" there called "How I get The Colors." The background is created with Paint Shop Pro and added as a layer.

 

I sometimes add a background to provide a sort of contextual layer to the image. This, I think, provides the viewer with a psychological cue linked to the title.

 

If these smoke images transport your mind to another place and time then I have succeded in my attempt to provide visual stimulation of the imagination.

Link to comment
I love the look of the smoke and the way it's coloured, but the compression artifacts ruin the quality of the image.
Link to comment

Dave

I just spent the week-end trying to get a photo using candle smoke.I really value what you have created. Ho do you get the crispness so perfect? I used a range of 'f' stops and apperture stops but none came out as crisp as yours. Well done.

 

Link to comment

I shoot from about three feet from the smoke. My aperture is usually about 9.5 - 11. I use a mediun-power studio strobe located ~10 inches below the incense cone(s)with various arangements of colored gels under the pyrex bowl supporting the cones. The short falsh duration is mainly responsible for the crispness.

 

This does NOT always work... sometimes the smoke is moving too fast or is of very low density and the results are not sharp. That is why I shoot LOTS of frames! I typically shoot around 150 frames during the life of a cone of incense!

 

I then go through the shots looking for the ones with useable exposure and sharpness. From those I pick the ones with good aesthetics.

 

When the image quality is very good, i.e. not noisy, I try a little edge enhancement with Paint Shop. This does not always work. I estimate that I get from 5 to 10 "good" frames out of 150 frames shot.

 

It is a lot of work, but I think the results are worth it.

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...