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Doorway to Abstraction -- Venice


amitai schwartz

From the category:

Fine Art

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The one I like most in the series.The sharpness,

the few tones and the rope coming from nowhere.

I look at the picture as some kind of riddle.

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Great idea: forget the doorknob--use the rope. I like how close the knob is to the edge of the frame and how it is so close in tonality to the wood that it is somewhat disguised/hidden.

 

I like that the rope is surrounded by darker tones than the right side. The rope stands out in a subtle way. You might also consider another version of this--selectively brightening the rope a bit for added emphasis.

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