ektorcoughanour 0 Posted July 23, 2004 Bellisima fotografia!!...un acirto en blanco y negro, buena textura y tonalidad...Felicidades!...7/6 Link to comment
gary m 0 Posted July 23, 2004 I love this photo. My only suggestion is to crop a bit off of the left and maybe a little off the bottom so that the photo is divided into thirds a bit more. (That would give you 1/3 on the left, an upper 2/3 for the window, and 1/3 for the darker boards on the bottom right) Just my 2 cents... I still really like it... Link to comment
f1-fanatic 0 Posted July 23, 2004 Gerry, that sounds cool.. but I am a bit lost would you mind editing the image and postign an example to help me out a bit? I really appreciate the comments and help. I am a bit lost with digital b&W and I am experimenting. Link to comment
Tuhin 2 Posted July 23, 2004 Norman , did you take a close up shot of the lock there ( in sepia ) ? Link to comment
tecrif 0 Posted July 23, 2004 I just like the way the wood looks ... very interesting composition - the lock on the left, the white window on the right, well balanced. The more I look at it, the more I like it ! Link to comment
f1-fanatic 0 Posted July 23, 2004 Hello my friend. I do think I took a photo detailing the lock and in fact did sepia tone it but I didn't post it. Scary! ;) I will post it over the weekend if I can find it. Link to comment
f1-fanatic 0 Posted July 23, 2004 Thank you very much. I really feel comments are more important than ratings especially now that the new rating system is being employed. I am new to digital photography and I am experimenting with, and making a lot of mistakes along the way, with digital B&W. So any help or suggestions help me as well as the works of others like Tuhin whose work I find inspirational and influential. So Cristi, you words are very encouraging and help me push forward and I just wanted to say thank you for helping. Link to comment
VKinCA 0 Posted July 24, 2004 This is very pleasing to look at Norman. I can understand the idea of the left side cropped a bit, but then that just might make the white window appear too strong. If I were to change anything, I'd bring the uppper left corner burn down and in. this would make a very nice selenium/sulfide toned silver print, Come on man, go medium format film! Link to comment
gary m 0 Posted July 24, 2004 Hi Norman. I took a shot a cropping your image. I'm still learning myself, so please don't think that this is necessarily better. I'd be interested to see what you and others think. Link to comment
jon c 0 Posted July 24, 2004 Norman, Very good tonal range and composition. (Cropping a tad bit from the left will help, though) Link to comment
dwm1953 0 Posted July 24, 2004 I just stopped by to look at this one again. As Cristi says, it just keeps getting better. This is portfolio quality work here. I see there's been a lot of discussion regarding different crops. Heck, usually I'm the one making such recommendations. In this case however, I think that your original composition is spot on. It is not the least bit static - the eye moves quite naturally from lock to window and back, eye-pleasing detail abounds, and oh, that gorgeous wood grain! I think that the compositional "rules" are good and generally result in the best compositions, but not always. For "Salmon House" I wouldn't sacrifice one millimeter of it for any rule. (O6/A7). Regards, D. Link to comment
f1-fanatic 0 Posted July 24, 2004 Wow. Thank you all so much for the kind words, advice and thoughts regarding this photo. I really appreceiate every word of it. -NP Link to comment
kristinetupper 0 Posted May 28, 2012 being a newcomer learning, I think your original crop is just perfect considering the geometric of the picture. the 1/3 rule looks somewhat not right. Link to comment
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