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Mesa Arch at Sunrise


donpaulson

A slightly different view of a frequently photographed Arch. Replaced an overexposed white sky with the color you see.


From the category:

Nature

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Great lighting - you were at the right place at the right time. The orange glow on the underside of the arch is beautiful.
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Thanks, Pawel. I like the way you deepened the color. Would you mind telling me the steps you took?
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Don,

 

Fantastic colours, but for me the composition is lacking. The bush in the centre is uninspiring and competes with the lit rocks - it looks like a better shot would have been produced if you had moved a few feet to the left - was that possible?

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Thanks for your comment Mark. Yes, it certainly was possible to move to the left - that is where most photos of this arch are taken from. In fact the other Mesa Arch photo in my Southwest Portfolio was taken from that position. Take a look and compare. There are so many images of this arch at sunrise that I was trying for something different. I agree about the bush, but I liked the color from this angle better. This photo was recently published in a book titled Pantone Guide to Communicating with Color (by Leatrice Eiseman) to illustrate "earthy brown" hues.
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I'm sorry Pawel, I'm afraid you lost me on the Photoshop steps you took in your example. Could you put that in layman's terms for me? I figured that the lack of details in the orange/red areas was simply an over exposure problem with little I could do about it. That is interesting to read about Photo.net compression - thanks. I compared the photo.net image with the original on my computer and could detect no differences...
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Don - when you're thinking in terms of film yes, detail is gone but since we digitize our images, oftentimes it's benefitial to think the way computer is "thinking": in chanells. First thing I do is evaluate each chanel separately, detail missing in one may be present in another. Let's pretend that we have only 3 chanels. R is missing detail but G and B have plenty. I didn't write down exact steps but: usually it's better to avoid B (all kinds of noise) so most likely I've blended something like 30% of G into R, placed it on the top as a new layer and blended in multiply, than adjusted transparency, masked shaddows a little.
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Pawel: Yes, I see what you are saying now. Thank you for taking the time to explain. This is a technique that I have not tried before and it looks like it could be quite useful. I'll give it a try on my master file...
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