robertbrown 1 Posted March 6, 2004 Comments, ratings on b&w rail crossing--does this composition work? Motion blur? Thanks. Link to comment
max zappa 0 Posted March 6, 2004 It works for me Robert. Seems to follow the rule of thirds principle, which is just fine, deliberate or not. Great image. Max Zappa. Link to comment
eric_rose3 0 Posted March 6, 2004 I like it. My first impression was the crossing mechanism looked like some kind of strange hitchhiker. Link to comment
baldurbirgis 0 Posted March 6, 2004 The composition works for me, nice balance with the cloud to the upper right corner. The main subject is very human. Good work. Link to comment
mnigro 0 Posted March 7, 2004 robert: you are the first person to make a RR crossing appear interesting. terrific image all around. Link to comment
skip_fockelmann 0 Posted March 8, 2004 I really like this. The longer I look, the more I like. Makes me wonder--Where's he going, what's he haulin'--I feel like the title should be "small town passing" or something. Very good. Link to comment
louise bridge 0 Posted March 8, 2004 Yes. And I like how the crossing lights look like eyes. Like the earlier comment from Eric Rose refers to a hitch-hiker, it's true, you have managed to make the crossing signal look human. Neat! Link to comment
dibaphoto 0 Posted July 2, 2004 great shot, but I think it would be much more successful shot horizontally. Link to comment
louise bridge 0 Posted March 9, 2005 I had been going to write back a flat-out "no, not horizontally" because I think that it's precisely just that anomaly of the vertical orientation (when a boxcar is so undeniably horizontal) that in this instance anthropomorphises the crossing signal into looking human, like a hitch-hiker with his arm out waiting to catch a ride. In combination with the angle from which you shot and what that angle does to the centres of the pair of signal lights, the vertical orientation foreshortens things so that the signals resemble a pair of eyes. But, then again, I guess whether you see it this way or not depends on how you see this picture in the first place. Link to comment
robertbrown 1 Posted March 15, 2005 Louise, I shot this both ways but this way seemed much more dramatic--a smaller frame to watch a fast moving picture gives this more tension, I think. Link to comment
Recommended Comments
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now