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Street Composition


Jack McRitchie

Exposure Date: 2017:01:25 09:06:18;
Make: SONY;
Model: DSC-RX100M2;
ExposureTime: 1/800 s;
FNumber: f/2;
ISOSpeedRatings: 160;
ExposureProgram: Aperture priority;
ExposureBiasValue: 0/10;
MeteringMode: Pattern;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 10 mm;
FocalLengthIn35mmFilm: 28 mm;
Software: Adobe Photoshop CS6 (Windows);
ExifGpsLatitude: 48 49 48 48;
ExifGpsLatitudeRef: R98;

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From the category:

Street

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good afternoon Jack,

this is exactly my issue with contemporary street photography - just to many cars. BW helped to clean up semantic here a little.

Boris

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Jack, believe it or not, I've been having severe difficulties with the new site. I finally just searched by your name, and got her somehow.

 

Previously, I've seen some of your work that, in my opinion, involved images segmented in such ways as to lead me to think that each segment was a different aspect of our shared reality (whatever that is) or representative of a different reality. You've not disappointed me here; in fact, there's much grist for the mill. At the very least we have realities consisting of : (1) reflections, (2) everything between the cylindrical barrier and the stripe on the street, (3) the Japanese characters accompanied by a blank billboard which, itself, is fascinating, (4) the two people on the street, (5) the cars, (6) the overpass, (7) the utility poles, (8) the balcony, et. al. . Fortunately, my occasionally optimistic nature allows me to think that these realities must cooperate with each other in order to exist successfully. That's the beauty of this type of image; to sum it up in a single word, "synergy." And that's what you bring to the table.

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It looks so clean, but she knows better--and that shadowy reflection on the left really is rather sinister, after all.

 

--Lannie

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Hi Jack, somehow the new site unfollowed me from you and I have been wondering where you went. I am happy to have refound you.

Nice composition as per usual.

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