Jump to content

against the red


Wayne Sadler

1/500sec, f/6.3, 70mm, ISO 200


From the category:

Fine Art

· 71,661 images
  • 71,661 images
  • 307,026 image comments


Recommended Comments

From a distance I could tell the splashes of red against the gray hues

of this newly constructed building presented contrast that could make

for a strong composition. As I came closer I was rewarded with human

forms in the scene. Comments and critique appreciated.

Link to comment
It's the color that distinguishes this picture. I love the red umbrellas and the matching hand floating in the ether against the somber facade of the building. It takes an alert photographer to catch this moment.
Link to comment

I agree with Jack--setting the umbrellas and that glowing hand against the charcoal gray of the background works beautifully to make those reds really glow. The shadowy figures add a lot, too--partly the surprise element (as though the glowing hand weren't enough--that was a brilliant catch), and partly the human connection that pulls the viewer into the scene. I really like the composition. And I keep coming back to that mystical glowing hand--frosting on an already delicious cake. The impressionistic processing is interesting, but I suspect the image is likely to have been strong enough on its own to not need enhancement. But that's definitely a matter of personal taste--go with what you like!

Link to comment

Its a fantastic shot, Wayne. The darkness of the building works so well against the red. The finishing touch are the people in the pic. Well seen well captured. Well done my friend. Regards, Lawrence

Link to comment

Well done Wayne, from the stop red hand, to the red umbrellas set against the grey buildings to the effect you placed on it, nifty, truly nifty 

Link to comment

Hi Wayne, a very effective composition with the red umbrellas against the dark building. Very well seen and captured. Best wishes. Sarah.

Link to comment

Leslie,

Many thanks.  I think the original image was pretty strong.  My painter sense is finding my cameras and glass too good at recording detail. Particularly in street photography my equipment makes people too identifiable for my level of shyness and sensibility.

Link to comment

Maurizio,

Many thanks.  I was stopped at a traffic light and had time to be aware of the artistic merits of the encounter of the two human forms.

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...