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We Are The Children of Concrete and Steel



Exposure Date: 2016:10:16 11:20:25;
Make: NIKON CORPORATION;
Model: NIKON D5100;
ExposureTime: 10/800 s;
FNumber: f/9;
ISOSpeedRatings: 100;
ExposureProgram: Manual;
ExposureBiasValue: 0/6;
MeteringMode: Pattern;
Flash: Flash did not fire;
FocalLength: 18 mm;
FocalLengthIn35mmFilm: 27 mm;
Software: Adobe Photoshop Elements 13.0 (Windows);
ExifGpsLatitude: 48 49 48 48;


From the category:

Street

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  • 125,004 images
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Tony, excellent pp and reflection plus this pov add up to one of your best concrete jungle shots. Keep em' coming.

Best Always, Holger

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Hi Tony - thanks for your recent comment on my Honolulu shot - prompted me here - this is fantastic, as in great and as in fantastical/surreal. Awesome look and vibe. 

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I'm knockout when I see your shot 'Chicago,' & I'm immediately reminded of an early photographer. Presently my lifestyle circumstsnces are somewhat fly, & I do not have reference books at hand. Again I'm knockout by this shot which for me is quite akin to 'Chicago.' I'm not exactly sure but I think I am reminded of Alfred Stienglitz. Arguably his two most famous shots are The Steerage & perhaps the most famous Winter Fifth Avenue, check it, you'll understand. Off hand I don't know which painter Stieglitz is akin to. I know my photography is akin to Mondrian, & I'm inclined to think that we can relate all imagery to a somewhat small number of 20th centuryish phenomena painters. Monet gets the best cred, but my favourite question/answer, it's not that simple. Although being a portrait artist (so I'm told!) I'm a street photographer. Leonard Freed is a favourite, & I like what he said around the time he was on his way out, photography is a language in it's infancy. Carlos Guarita once said to me photography is based on symbols, of course, I suppose, & Julio Etchart said to me photography was a 20th century phenomena. My other chief at the coop was Iranian Abbas who is a legend. I suppose his most famous shot is on the pin in Tehran in 79, the shot of the two men with rifles holding an arm up together. Moving too fast, or dug in too deep. Andy

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