Untitled

I like the almost-symmetry in this one. Everything seems in balance, but a closer look reveals it's all just illussion. It kind of manages to delay the dynamics in the image, almost as if the sense of movement, the sense of moving to the next frame in the movie is like a predator hiding in the bushes where you can't see it, until you squint your eyes.

I am grateful for your insightful - indeed, poetic - comments.  It has taken me some time so far to determine how best to respond, and so far I'm stilling working on it.

After looking at this image a few more times, I think I understand your comments.  They appear to address the relationship between the static (the two trains, the station, and the lights) and the dynamic - the passengers walking down the tunnel without a viewer knowing which train is their destination. This relationship also can be thought of as between the actual and the potential.  Personally I find most of the interest in the two passengers closest to the foregrounds.  

My best,

michael

Well done, the lines leading the pedestrians is well done the rails and light, the scene starting out dark and getting lighter as they move forward 

Great depth and light. Well done!

Good choice to use b/w, it brings out the gritty atmosphere.  The figures work well as they walk in lock-step to the daily grind... Mike

Good One.