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2013-06-09_00513.JPG


maria

Exposure Date: 2013:06:09 13:27:23;
Make: NIKON CORPORATION;
Model: NIKON D3000;
ExposureTime: 10/300 s;
FNumber: f/3;
ISOSpeedRatings: 220;
ExposureProgram: Not defined;
ExposureBiasValue: 0/6;
MeteringMode: Pattern;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 18 mm;
FocalLengthIn35mmFilm: 27 mm;
Software: Ver.1.00 ;
ExifGpsLatitude: 48 49 48 48;
ExifGpsLatitudeRef: R98;


From the category:

Architecture

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Maria-  This is much more interesting and lovely than your far-away snapshots of buildings.  Try doing this more often.

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Maria, there are several things going on here that I like.  You alluded to the colors, which present a pleasing combination of near primaries.  The rectangular surfaces, along with the colors, give it a neoplastic look.  Another thing I like is the illusion of boxes that are floating or separating.  The box in the far corner of the room seems to be removed from the floor because of the dark molding, and the alignment of its base with the top of the nearer box makes it look connected, but displaced.  (This illusion would have been enhanced if the top of the near box would have aligned perfectly with the bottom of the far box.)  I also like the areas of sunlight on the floor, and the rectangles of light on the wall.  I would try the composition with some of the left side cropped, to put the focus more on the boxes, and perhaps increase the abstract quality of the shot.  I like your work that tends more to the abstract.

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Thanks a lot to all of you!

 

Funny, this autumn I was invited to teach interior architecture classes in Germany, but had to give up due to health reasons. I work instead at the urban planning chair in Romania, where the far away images are asked for. Maybe worth a thought.

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I am surprised to learn that you are an urban planner/architect, as there are major compositional problems with many of your images.  With your architecture shots, there is the problem of converging verticals.  You should consider correcting this problem with software, or better yet, purchasing a tilt & shift lens. 

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