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Untitled


joze_stucin

Exposure Date: 2008:04:12 16:11:31;
ImageDescription: OLYMPUS DIGITAL CAMERA ;
Make: OLYMPUS IMAGING CORP. ;
Model: E-300 ;
ExposureTime: 1/1600 s;
FNumber: f/2;
ISOSpeedRatings: 100;
ExposureProgram: Shutter priority;
ExposureBiasValue: 0/10;
MeteringMode: Pattern;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 17 mm;
Software: Adobe Photoshop CS5 Windows;
ExifGpsLatitude: 48 49 48 48;
ExifGpsLatitudeRef: R98;


From the category:

Fine Art

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The best of the image is: when we look at it, we do not know how to integrate them into the landscape, so huge these packages, so different in lights, texture and color to Nature. This is what makes it an oddly striking and beautiful photo. The hand of man, behind the origin of these strange shapes.

 

They're for me like big "artificial pumpkins" and if we want to think more deeply, we would say, it's a representation of the actual distance between man and his true origin. First, the artificial, then... look back at our origin. Are we wrong ?. The idea of plastic and its brightness in contrast to the grass is great, congratulations because the picture tells a story on which we can think about.

Warm regards, ㋙

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Dear Laura, in my beatiful country are "plastic eggs" on meadows big ecological and aesthetic problem. I hate them! But there is a solution how them incorporate in my visual world - this photo is response: "Eggs" are became my models. :) Thanks for your clever and deep thinking about my work! Regards! Joze from Slovenia (with pumpkins). :)

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