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Dual Session 3-3-13 125


gsphotoguy

Exposure Date: 2013:03:03 16:22:43;
Make: NIKON CORPORATION;
Model: NIKON D600;
ExposureTime: 1/160 s;
FNumber: f/6;
ISOSpeedRatings: 200;
ExposureProgram: Manual;
ExposureBiasValue: 0/1;
MeteringMode: Pattern;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 80 mm;
FocalLengthIn35mmFilm: 80 mm;
Software: Aperture 3.4.3;


From the category:

Portrait

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My immediate reactions are:

1. I wish a bit of fill light or reflector was used to lighten the shadows.

2. Since she is tattooed perhaps color would have been more appropriate.  I discovered the tattoo when I put the image in P.S.Bridge and applied a bit of digital fill.

Jerry

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Jerry - I made the image like this on purpose. I expected it to be shown in B&W and wanted deep shadows. I know it is non-traditional but, it is what I intended. I can accept that you do not like it, thank you.

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Mark! This is brilliant. Just enough light to suggest, more than articulate the shapes we "know" although we can't see them in the shadow areas. A real triumph of subtlety. Wish I could call it my capture!

Did you use studio light or the off camera flash? Im asking because Im currently trying this kind of shot. Not with your success, though.

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Bettie - Thank you for the very kind comment. This is one studio flash just slightly visible in the upper left corner. The flash has a strip box (about 1'X3') and grid which then narrows the soft light and is placed a little above her angled down. There is also a faux brick wall behind her. If you take a look at this image, you'll see the general effect. I just moved around to the shadow side and exposed for the lighted side.

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This is a good demonstration of "kicker" lighting or edge lighting.  Hair, arm cheek, and nose are lighted with this light and serve as a nice accent.  The effect is to make me want more---which is not forthcoming from the shadow areas.  It is as if someone whispered "Hey buddy, I want to tell you a secret---and then mumbled into my ear."  For me, there needs to be more than one piece of bait to draw me in.  After feasting on the nice edge lighting I fell into the abyss of none-information with no incentive to view further.

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John - Thank you for the interesting analysis. I can see your point but have been trying some lighting experiments during recent sessions. Some work better than others. I tend to like large areas of deep shadow but will consider your comment on future attempts.

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