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© copyright Mark Geistweite 2011

"Swift Current of Spring"


whydangle

Exposure Date: 2011:05:07 16:09:45;
Make: PENTAX Corporation;
Model: PENTAX K10D;
Exposure Time: 0.5 seconds s;
FNumber: f/19.0;
ISOSpeedRatings: ISO 100;
ExposureProgram: Other;
ExposureBiasValue: 0
MeteringMode: Other;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 17.0 mm mm;
FocalLengthIn35mmFilm: 25 mm;
Software: Adobe Photoshop CS3 Macintosh;

Copyright

© copyright Mark Geistweite 2011

From the category:

Landscape

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The snowpack in the Sierras this winter was substantial. The end of April brought our first summer-like weather, which initiated a furious snowmelt. We travelled along the Kern River last Saturday on the way to my daughter's talent contest in Kernville. I couldn't help returning on Sunday morning to try and capture the fury of the river. The power of the Kern was almost intimidating. I was very careful while descending along the banks to try and build a composition. The Yucca blooms were inviting my attention and this one stood out, but the slope was precarious. One wrong step and I might become another statistic. Since 1968, over 250 people have perished in these fast moving waters. I held my ground for about 20 minutes while waiting for a lull in the incessant breeze that was causing the blooms to dance. I wanted a slightly longer shutter speed to give some blur to the water while retaining some detail. Half a second was the final choice and seem to do the trick, meanwhile not so long that the Yucca bloom would be blurred. Three panned verticals enabled me to produce a square panoramic that captured the bloom on the right along with the swift cascade to the left. It was now time to get back to stable ground!

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Tack sharp image, as usual.  The commentary brings the image even more to life as well.  Now, having said that, it is pretty, and pretty busy; if you get my drift.  There's a lot going on here, and the eye flits all about.  You've got drama in the sky, drama in the Kern, drama with the yucca blooms, but I think I'm kind of lacking that singular feature that pulls me into your image.  Your processing is spot-on impeccable though, Mark.  Keep on doing what you do so damn well, my friend!  Cheers!  Chris

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Thanks Chris! Honestly, that was my conclusion once I had completed the processing. I stepped away for a short while and when I returned, I stated almost the exact same words; "too busy". I really like peering into images that have lots of information. I find that a well composed image that has many components keeps my interest longer. Probably why I am not a big fan of minimalism, but I do admire that ability to extract the most vital element. Problem is, busy compositions fail more often than they succeed. I actually think the one component here that imperils this effort most is the willow square in the middle. I really struggled on this morning to come away with what I had previsualized. I am always trying to gather several pieces of the story and then arrange them harmoniously within the frame. So often, the elements merge and separation is lost. In this case, I could not get the angle because of the precarious position. It's nice to get honest feedback. Thanks! Now, on to the next effort! 

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Mark...  While busy, I find that totally natural and sympathetic with what my eyes would be doing if there with you.  An interesting format choice that works well compositionally, but seems a tad constrained; however, that could be just my preference for landscape format landscapes.  Your signature fine detail and the shutter speed is spot on for the water...  a real wish I were there shot... Mike

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Thanks Mike! The weird format is a result of a three vertical pano, the sum total of which is shy of two verticals. My camera was not level and I was not using the L bracket, so the camera was way off it's nodal point. I knew I would have to overlap heavily to get this to stitch, I just didn't consider panning once or twice more. Even if I had added two more frames, the end result would have been a substantial crop of the sky in order to include the additional frames because the camera was dropping down on each panned frame. That's a lot of typing just to say it didn't really work that well. If I only used the single vertical of the Yucca bloom, then the willow would be cropped right and the best part of the stream would be absent. So I am basically presenting my fudge of a Hasselblad format. These were tight quarters I was working with, using my full wide angle, so the bloom is really right against me in order to give it some prominence. I am not totally unhappy with the results, however I am ready to move on to anything new. There are days where things fall into place and more days where you rush around for almost nothing. I think the frustrating days provide more learning!

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Sorry Pierre, I missed your entry while I was responding to Mike. Thanks for the input. I will try some more contrast!

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