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Fashion/Portrait from different projects (Test Shoot for publication)


a. a.

Film photography. No digital work. 10% crop or less if any. Forgive the noise caused by low quality of scanning.


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Fashion

· 24,140 images
  • 24,140 images
  • 76,917 image comments


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Misha I like the setting. It's an interesting choice. I also like your choice of crop. The legs are a little overblown but doesn't bother me much.
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Great capture! I don't like the suggested crop. The original is excellent... IMO what makes the composition is the position of her legs.

 

Very beatutiful model, keep shooting her!

 

Cheers!

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To me, this one seems to be the most interesting of the three currently on your front page. I'm sure that won't be the case for long, because you are so busy, and update so frequently. I really like how you've used the elements of the location in the composition (old bricks, radiator, pipe, debris on floor, and strong light & shadow). Nice shot.

 

Oh yea . . . leggy pose and fashion!

 

-James

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I happen to like the original version much more than the cropped one. The contrast between the -slightly- overexposed floor and the rest of the image is a plus.
All in all, a great shot.

Esteve

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Very good Misha, I prefer, me too, the original. I thimk that it is her feet that make the photo. Normally they are distracting from her face... but strangely this photo works like that ...
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two thoughts: first, original way over the crop (the hand hurts the crop.....) , second perhaps add some danger by not having the pad next time. My sense is that element would go well her expression.

 

These thoughts are of course directed toward an already fine photograph.

 

Best Regards,

 

Steve

 

ps saw an Oregon folder pop into your list...and Idaho... I live in NE Oregon and operate www.wallowalakelodge.com .

 

 

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Posted

I like the cropped version better, just because I dont find the shoes appealing and I think that bright section makes you forget about the beautiful exposureon the top two thirds of the picture, specially the face.
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