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Casa dei Cavalieri di Rodi (House of the Knights of Rhodes)


nicholasprice

Lens at 28mm.


From the category:

Architecture

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South of the Great Hemicycle of Trajan's Markets is this fine 15th-century loggia of the

House of the Knights of Rhodes. It's somewhat Venetian look is due to it having been built by

the Venetian Popo Paul II. I chose not to alter the distorted perspective here, as I think that

doing so would ruin the dramaticism of the shot, but I would be glad to hear your views -

Nick.

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Hi Nick,

 

maybe the perspective doesn't work because you were too close to the subject? Could you see everything in the picture without moving your head or your eyes?

 

Maria

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Probably not Maria, as my lens was at 28mm. However, this is the best shot of the building that I could find. Unfortunately 2500 years of building work in the area has made things quite cluttered (and interesting), so it is difficult to isolate the various elements.

 

Here is a photograph of the Loggia as it sits above the Forum of Augustus, upon the remains of which it has been built, and next to Trajan's Markets, from where I took the photograph (the red X).

 

Fond regards, Nick.

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Here is a shot from ground level, which gives an idea as to the difficulties with which I was faced.

 

Incidentally, the people at the top left of the frame, are standing at the possition from which the original photograph was taken.

 

Nick.

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Hello Nick, I know that you have fully explored the perspective issue with Maria, but my view is that there is no need to correct it. Wide-angle distortion appears more significant looking up and a lot less significant looking down, as in this case.

 

It's an interesting building and your shot has lots of very good detail and powerful contrast. I like it. If I were to make any change, it would be to clone out what appears to be a stack of metal chairs in one of the arches. Other than that, what you have produced here is a timeless classic.

 

Best wishes. Pete

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Thanks Pete, I tend to agree with you about the perspective, and you are quite right about the chairs, but I wanted to post an "unmanipulated" image.

 

Regards, Nick.

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Nick, have a look at the rules for unmanipulated. You would be surprised at what it encompasses.

I take this is a day off for you.

 

Regards. P

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I'm a bit puzzled about what you think is wrong with the original - it looks fine to me but then I have not seen the original building. As to the question of how wide an angle is permissible doesn't it depend on how we perceive things at any one moment? - from detail vision of a few degrees to close to 180 degrees with peripheral vision. But I won't go an further on that. I once made a remark about sight to a guy who turned out to be an anatomy professor and tripped off a full explanation of human vision with diagrams on the back of an envelope!

 

I also don't mind the chairs. And a good shot with a strong feeling of reality and good tonal qualities.

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Thanks Colin, you are quite right, and I now reasise that I have been concerned about nothing!

 

Thanks for the positive feedback!

 

Cry havoc, and let slip the wide angled lens!

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i dont see why so many people disagreed with the angle in this picture. i think it is one that i may not have seen myself but i like it a lot. it works for me. great shot!
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Thanks Jessica, I really appreciate the encouragement! Sometimes one just needs to hear from other people, that a thing works. I'm lucky to be able to hear it from so many tallented photographers. Long live photo.net!

 

Fond regards, Nick.

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Hi Nick, I like the angle. nothing disturbes me....,

The angle accentuate the character and details of the Historic constarction. Very nicely done. Pnina

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Hello Nick,

I've back to look at this photo several times now. I'd like to visit the real building. Do you sell your photos to tourist guides? :-)

 

In the meantime a nice discussion has developped which I have enjoyed following. So I throw in my own bit here.

 

I like the perspective you took and the wide angle lens doe not bother me. The unavoidable "clutter" at the edges took a little getting used to though.

 

This photo has a lot of detail. I appreciate the large size you uploaded for us, which really does the photo more justice. I like the dark tones and moodyness, but it does hide some of the details of your photo. A lighter develop (or a tweak on the gamma of my monitor to 1.6 or so from the standard 2.2) shows a lot more detail. What where you after, the moody or the detail or a balance of these? (Sorry if this question is naive....)

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Thank you Maurik.

 

I was going for detail, if I am honest, but a comprimise with mood pleases me just fine. I am touched at the responce that I have had for this photograph, which as you can read above, I always felt problamatic!

 

I am flattered that you ask if I sell my photographs to guide books. The answer is no, partly because I would have no idea how to, but mainly because I am far to insecure about my tallent (despite the encouragement here), to think that anyone would ever want to buy them! - its probably an English thing!

 

Kind regards, Nick.

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