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Hopeman Rocks


ian cameron

Hopeman Bay on the Moray coast of Scotland has some superb pock marked soft rocks riddled with texture. I found this rocky point of warm sandstone and juxtaposd it with a highly textured pock marked and lichen clad granite bed. The sun dutifully flushed a grey cloud base a rust red colour which was picked up by the sandstone. Please feel free to visit my website, Transient light, There are some superb new shots at Timecatcher too.


From the category:

Landscape

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Unusually for me I opted to clone a section of grey cloud across a

hot spot in the sky that distracted just too much. It has improved

the image enormously but I still feel guilty about it.

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It looks pretty good to me. Is the cloned section in the upper right-hand part of the sky? The composition, near-far is good--the sunset hued sky is a bonus which adds a bit of interest at the top of the scene.
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Hello Ian! Your talent of photographer is great and that is why, in my opinion, you don't need to be a purist of the "not manipulated photo" nor to feel guilty to have cloned a cloud. As for me, I think that the "manipulation" begins as soon as the moment of the shot. Why to touch up a sky with PhotoShop would be more a manipulation than put a gradual grey or a polariser filter on your lens ? Why to clone a signpost would be more a manipulation than to move on the right or on the left to hide it behind a tree ? Sincerely, I don't understand this debate. Photography is manipulation of the reality. As far as I am concerned, since some days, I indicate systematically in the informations about my photos this two words : "Manipulated ? Yes". Even if I have not used PhotoShop.
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Ian: I really like this image as it is. I wonder whether there's also something special here in another way: a landscape orientation of the top portion. -Hope it's okay that I took the liberty to do another...

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Hi Howard, no problem with you experimenting with my pics it makes for interesting discussion. I have both orientations actually in full frame 6x7 and they both appeal to me. The reason I prefer the upright is because once you have enjoyed the general composition it is quite good to have a look at the amazing detail in the immediate foreground. The huge depth of field allows one to almost touch the textures. However both are satisfying.
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A beautful and unusual palette Ian. I particularly like the way the foreground lichen colour lifts the subtle green tones elsewhere. I can see why you would have had to clone out a harsh white spot on this occasion, the soft mood you have here would have been considerably disrupted. Although it might have been nice to see a little more water, I can't see how you could have done so without substantially upsetting the composition.
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