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Varanasi, India


kenghor

Varanasi is the holiest city in India, built by the bank of the sacred Ganges River. The crescent waterfront is dominated by flights of steps called the ghats. Hindu pilgrims from all over India and the rest of the world come to perform the ritual of bathing in the river, cremation or simply waiting for death. It is believing that the river will wash away their sickness and sins and their souls will go to heaven. And when they die and cremated here, they will immediately attain enlightenment and be released from the cycle of birth and death. For the poor who cannot afford the wood, their corpses are dumped into the river.Non-stop cremation process, industrial and sewage waste have seriously polluting the river. Yet the locals refuse to accept the fact and claims that the water is clean and holy. Besides the bathing ritual, they use the river for common task like laundry, washing, fishing and even for consumption. Pictures of Varanasi always intrigue me with a mystical charm that prompted my visit. It seems that time has stood still and the place appears to look the same now as it was centuries ago. The golden light, exotic looking pilgrims, ancient buildings and small little boats that fade away into the misty distant. I wanted to travel back in time with my camera to photography this photogenic place so untouched by modernisation.I broke away from the tour group which I was travelling with and fly to Varanasi on my own. After travelling in Rajasthan and Kashmir with the tour group for more than a week, I was confident to venture out independently and deal with its notorious touts and con artists.I spent an afternoon walking along the bank of the river scouting for good viewpoints. I found an elevated spot on a flight of staircase to overlook the curve of the waterfront. I returned the next morning, waited for the light and shot a few frames before I noticed the red boat coming towards me. I immediately recomposed and waited for it to move into position and uncluster itself from the rest of the boats before managing to squeeze a single shot. Of the several rolls of film that I had shot, this is the single frame that really works. I have never expected it to work so well as the boat occupies only a small area in the whole frame. Yet the bright red colour really stands out distinctly and dominates the entire picture.Such shots of the waterfront is best captured in the early morning light while a misty morning fog hangs around the river. It becomes less spectacular in the evening without the fog. For evening shoot, it is better to take a boat to the opposite bank and to capture the setting sun.I continued taking pictures into the morning until I met 2 crooks near a burning ghats. They accused me of photographing the cremation process and tried to extort money from me. I walked with them to the police to resolve the issue but somehow they disappeared into the crowd just before the police post. I reported the incident and an officer was extremely helpful and offered his escort service. I ended up being 'extorted' by the police officer.Technical details: EOS 100, 70-200L at 100mm, 81B warm filter, f5.6, Sensia 100

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The light fog caressed by the sun creates an almost surreal atmosphere that is mystically beautiful.
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This is a great shot. As one of the other comments above says, the special thing about this photo is the way that the "sweet light" and the fog have combined to create a really atmospheric and moody picture. I also like the fact that there is plenty of foreground, middle ground and background subject interest (e.g. the bright red boat at the lower-left thirds point) which helps to draw the viewer into the scene.
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It has a an "old world" quality to it. When I see it I feel as if I am looking back into the past...hundreds of years ago.
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Good shot and Well composed picture and I can see that you waited and visualised the picture in mind.The thing abt Varanasi is true even for us - Indians.
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I read somewhere that different centuries exist in India. I find this picture, more than anything else, captures the timelessness of that.
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This is a wonderful picture, visually speaking.

You really feel you are in a special place (though Varanasi is ugly much of the time)

 

Early morning, especially in Winter, is a fabulous time to take pictures in North India, and Wee Keng has taken maximum advantage of it.

 

The red boat is perfect, perfect.

 

I am also extremely pleased, speaking as a Hindu, that you've not included a picture of any actual cremations taking place (at least not noticeably), which unhappily, many visiting photographers tend to do little knowing that such crass perspectives, in the name of fearlessly depicting human reality, instead trash privacy, offend deeply, and exploit the physical openness of communal life in India.

 

I've seen more than a few pictures of the riverfront in Varanasi that do just that.

 

Very high marks to Mr. Wee Keng Hor for making a moving picture of Varanasi without resorting to such visual tactics.

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This shot has a nice, painterly quality. Good composition and a good eye in recognizing when the red boat would be in the best position. Great work.
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I think that the colors captured in this image are fantastic and give a real feeling for the location. Yes, the red boat catches the eye right away. How fortunate to have been there to capture it! I hope you do not mind, but I am using the image as wallpaper for a while. My wife loves it too.

 

Thanks again for sharing your talent with us all.

 

Chuck Berghane

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As a Singaporean myself, I am very proud of you- Mr. Wee Keng Hor that you have produced such a heavenly wonderful pictures. Hope to meet you personally in Singapore in near future.
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Congratulations on your wonderful photograph! Looks like something from a strange dream. Somehow reminds me of the Tibetan Bardo Thödol (I wonder why...) I have seen some of your other work and find it excellent. I am an avid amateur and your work is a great inspiration. I was a great believer in Black & White - and still am - however, this shows that great art photography can be in colour, too.

108527.jpg
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... this is the best weekley winner I'we seen so far. From you norwegian photo friend -
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It's a very beautiful photo, the composition is wonderful. The story you tell alongside it is in stark contrast to the photo which makes it even more appealing.

 

Were it not for the steering wheel visible in the lower left it would be easy to believe it was taken in a previous century.

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Saw it months ago on his site and am still in love with this image!
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Just want to add my thanks and accolades to the masses here. This image is an inspiration to us all, thus it outlives you and remembers you well.

Share more of your work.

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