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Geometrie della sera


maria conversano

At the last golden light of the evening.


From the category:

Landscape

· 290,482 images
  • 290,482 images
  • 1,000,012 image comments




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This one is SUPERB!! your comp. is perfect, the light and the colors are so wonderful playing on the waves of this field. very well done!!

 

Cheers, allon.

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La linea di fuga della parte gialla porta lo sguardo direttamente verso i covoni. Il tutto 蠰er� controbilanciato dalla costruzione sulla sinistra. Uno scatto ben costruito come ormai 蠴uo solito.
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Veramente bella Maria! Ottime le geometrie in primo piano, splendida la luce e la composizione. Praticamente perfetta secodo me. Bravissima come sempre!
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Somewhat interesting composition of textures with some potential to be an interesting photograph. However all the potential is lost by the execution. The lighting is, once again flat and uninteresting, failing to do justice to the texture and colors of the forground which are left bland and lifeless.

The sky is unsaturated with haze and flat, dull light resulting in obscured and ill-defined, boring clouds.

The photographer continues to show no appreciation for the quality of light, its direction or intensity. There is no indication of the ability to control this most important aspect of a good photograph.

VL

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I repeat: Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money Money
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Mi piace la forma della terra, molto interessante: forse avrei messo meno cielo, inclinato la fotocamera un po' in basso e mi sarei concentrato sulla composizione di quella grinsa a terra che sembra quasi un'onda del mare. Ottima comunque nel complesso per i colori e la geometria di quel campo, senza la quale sarebbe passato sicuramente inosservato.
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Again, typically, Maria remains absolutely closed to any critique of her work. She stomps her feet and performs her distasteful personal attack on anyone who dosen't find her unremarkable, amateurish work worthy of the highest accolades.

Maria, it is beyond any ethical behavior of you to respond to my honest critique of your work by accusing me of being motivated only by money. In my entire career as a professional photographer, I have never encountered someone like you, able to convince himself or herself that "professional" equated with anything negative about this field. Quite the opposite in fact.

You have some twisted notion that someone who earns her living (money) by this work is somehow suspect in judgement or motives. Since this is the way I put food on my family's table, I find your response particularly offensive.

The fact that you have such a poor understanding of the work that professionals do is irritating. The fact that you are closed to any real critique of your work, other than silly congratulations is pathetic.

Grow up. Just because beautiful Tuscan scenery presents itself does not automatically make your photography good. Your images are mediocre at best. I suggest that you look into taking some classes in photographic exposure techniques and learning to really see the quality of light.

VL

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