The chosen one

I can think of nothing to rate this other than a 7/7. Another beautiful picture that could easily be a Pink Floyd album cover.

Blij jouw nog eens te horen, maar vooral blij weer perfect werk te zien. De dag dat ik het beu ben om naar het echte leven te kijken kom ik in een van jouw droomwerelden wonen...ze zijn steeds zo perfect dat ik er elke keer zeer stil van word. Als je eens in Brussel bent en als je er zin in mocht hebben, laat me dan iets weten, dan gaan we samen eens een koffie slurpen. Beste groet Geert.

Stop it! Your images are causing great conflict in me. I want - NEED - to put together some great images but lack the time. Yet, somehow, you keep pumping them out. This is one of your best! Thank you for the joy and inspiration.

love your work. Brilliant!

I'm speechless. You've created here another meaningful and persuasive image. my regards, adrian.

thats great work, magnificent composition and colors, it remints me at my favorite painter DALI

Wow- a very rare example of "creative" Photoshop work that actually has value. Very well done, technically and aesthetically. This is a great image!

I just remembered how to submit a rating. I will go back to the last one now and enter one. Ben this is wonderful. You don't realize how much your work inspires me! As I see this, a vision has already come to mind of an expression I want to convey. I love how your work does this to me! Your friend , Cile

Interesting. My impression of the work is that the man is being evaluated or judged to determine which slot or category (represented by the 4 cutouts) he should be assigned to. Another way of stating it is that the man's complexity and individuality will be evaluated and reduced to one of the four predefined "slots". A representation of typical Bureaucratic thinking.

Splendid! thanks for sharing.Regards,Judy

Outstanding photo I take my hat of to you I don't know how you adchived this but every thing is sharp and colourfull as well.

Its a confection, more a testimony to photoshop than to photography. Peter was partly right, but valorised the misrepresentation. Angel, how do you presume to speak on behalf of a dead person: who knows what Magritte would think of this confection? I don't. What privilege to a dead persons assessment do you claim?. The little I've read of Magritte seems to tell me that he was about the delusion of identity, an acolyte of post modernism.

No, this is a confection, and one of mixed metaphors for no purpose other than performance - there's a sunset, a walkway towards the sunset, apocryphal ending, and the obligatory columns along the way. A tired metaphor.

 

Give me a real photograph any time

 

Arthur McCulloch